Aeneas Saving Anchises at the Fall of Troy
Providercma
Depiction ID1960.26_web
Subject ID1960.26
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Providercma
Depiction ID1960.26_web
Subject ID1960.26
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Created2026-10-07
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provider_nameCleveland Museum of Art
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subject_creditlineAeneas Saving Anchises at the Fall of Troy, 1587–88. Federico Barocci (Italian, 1528–1612). Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink; sheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.). The Cleveland Museum of Art, L. E. Holden Fund, 1960.26
subject_titleAeneas Saving Anchises at the Fall of Troy
subject_urlhttps://clevelandart.org/art/1960.26
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provider_nameCleveland Museum of Art
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subject_creditlineAeneas Saving Anchises at the Fall of Troy, 1587–88. Federico Barocci (Italian, 1528–1612). Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink; sheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.). The Cleveland Museum of Art, L. E. Holden Fund, 1960.26
subject_titleAeneas Saving Anchises at the Fall of Troy
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Providermetmuseum
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineTobit Burying the Dead, 1640s. Giovanni Benedetto Castiglione (Italian, 1609–1664). Oil and dark red pigment with oil and brown pigment; framing lines in gold paint over oil and dark red pigment; sheet: 27.7 x 41.4 cm (10 7/8 x 16 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.535
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subject_titleThe return of the prodigal son who falls at his father's feet
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subject_titleAeneas Carrying Anchises in the Burning of Troy
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