The Circle of the Traitors: Dante's Foot Strriking Bocca degli Abbate, from Dante's Inferno, Canto XXXII Illustration to Dante's The Divine Comedy
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Depiction ID1961.55_web
Subject ID1961.55
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Providercma
Depiction ID1961.55_web
Subject ID1961.55
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Circle of the Traitors: Dante's Foot Strriking Bocca degli Abbate, from Dante's Inferno, Canto XXXII Illustration to Dante's The Divine Comedy, 1827. William Blake (British, 1757–1827). Engraving; paper: 53.7 x 38.1 cm (21 1/8 x 15 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1961.55
subject_titleThe Circle of the Traitors: Dante's Foot Strriking Bocca degli Abbate, from Dante's Inferno, Canto XXXII Illustration to Dante's The Divine Comedy
subject_urlhttps://clevelandart.org/art/1961.55
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleThe Circle of Traitors: Dante's Foot Striking Bocca degli Abbate
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Providermetmuseum
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subject_creditlineRogers Fund, 1917
subject_titleThe Circle of Traitors: Dante's Foot Striking Bocca degli Abbate
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provider_nameNational Gallery of Art
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subject_creditlineRosenwald Collection
subject_titleThe Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
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Providernga
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subject_creditlineRosenwald Collection
subject_titleThe Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
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Providernga
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subject_creditlineGift of W.G. Russell Allen
subject_titleThe Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
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Providercma
Depiction ID1933.126.10_web
Subject ID1933.126.10
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVom Tode I, (Opus II, 1889) No. 10, 1889. Max Klinger (German, 1857–1920). Etching and aquatint. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1933.126.10
subject_titleVom Tode I, (Opus II, 1889) No. 10
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Providercma
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Subject ID1928.102.2
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Proverbs: Folly of Fear, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.2
subject_titleThe Proverbs: Folly of Fear
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleThe Circle of Corrupt Officials: The Devils Mauling Each Other
subject_urlhttps://www.metmuseum.org/art/collection/search/383530
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Providermetmuseum
Depiction IDmetmuseum:367367:primaryImage
Subject IDmetmuseum:367367
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleThe Circle of the Lustful: Paolo and Francesca
subject_urlhttps://www.metmuseum.org/art/collection/search/367367
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Providermoma
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Subject ID36916
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineJohn S. Newberry Fund
subject_title
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Providercma
Depiction ID1933.145.16_web
Subject ID1933.145.16
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFaust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Marguerite's shadow appears to Faust, 1828. Eugène Delacroix (French, 1798–1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1933.145.16
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Providermetmuseum
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Subject IDmetmuseum:383531
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleCircle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1917
subject_titleThe Circle of the Thieves; Buoso Donati Attacked by the Serpent
subject_urlhttps://www.metmuseum.org/art/collection/search/360052
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Providermetmuseum
Depiction IDmetmuseum:655226:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleThe deluge, figures being pulled from the water
subject_urlhttps://www.metmuseum.org/art/collection/search/655226
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRichard Wagner: His Life and Work: The Flying Dutchman: Act III, The Ecstasy of Senta and the Dutchman, 1886. Henri Fantin-Latour (French, 1836–1904). Lithograph. The Cleveland Museum of Art, Gift of Ralph King, 1921.29
subject_titleThe Flying Dutchman: Act III, The Ecstasy of Senta and the Dutchman
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subject_creditlineHope and Despair II, 1931. Ernst Barlach (German, 1870–1938). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in memory of William J. Eastman, 1953.344
subject_titleHope and Despair II
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subject_titleThe Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
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Providercma
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subject_creditlineA Glove: Anxieties, 1880. Max Klinger (German, 1857–1920). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser for the fiftieth anniversary of The Print Club of Cleveland, 1971.50.7
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Providercma
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subject_creditlineFinale of the Rhinegold, 1877. Henri Fantin-Latour (French, 1836–1904). Lithograph. The Cleveland Museum of Art, Gift of Ralph King, 1921.63
subject_titleFinale of the Rhinegold
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