The invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.108.b
subject_titleThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.108.b
subject_titleThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.108.b
subject_titleThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.2 x 14 cm (7 15/16 x 5 1/2 in.); painting only: 10 x 10 cm (3 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.110.b
subject_titleThe origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.2 x 14 cm (7 15/16 x 5 1/2 in.); painting only: 10 x 10 cm (3 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.110.b
subject_titleThe origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.2 x 10 cm (3 1/4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.134.b
subject_titleThe prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.2 x 10.6 cm (4 x 4 3/16 in.); overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.16.a
subject_titleThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; painting only: 10.3 x 10.3 cm (4 1/16 x 4 1/16 in.); overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.69.b
subject_titleThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610?–17. Sur Das Gujarati (Indian, active 16th century). Gum tempera, ink, and gold on paper; overall: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.44
subject_titleVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.); painting only: 13 x 10.1 cm (5 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.73.a
subject_titleThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.b
subject_titleThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 7.3 x 10.2 cm (2 7/8 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.84.b
subject_titleThe magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night
subject_urlhttps://clevelandart.org/art/1962.279.84.b
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provider_nameCleveland Museum of Art
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subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.231.b
subject_titleThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.2 x 10.6 cm (4 x 4 3/16 in.); overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.16.a
subject_titleThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night
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provider_nameCleveland Museum of Art
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subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 7.6 x 10.2 cm (3 x 4 in.); overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.75.b
subject_titleThe parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night
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subject_creditlineSeven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, from a Tuti-nama (Tales of a Parrot): Sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.4 x 9.8 cm (4 1/8 x 3 7/8 in.); overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.42.a
subject_titleSeven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, from a Tuti-nama (Tales of a Parrot): Sixth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.231.b
subject_titleThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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subject_titleThe parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night
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