The merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.125.b
subject_titleThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.125.b
subject_titleThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.125.b
subject_titleThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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subject_creditlineThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.4 x 10 cm (4 1/2 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.307.a
subject_titleThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.2 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.308.b
subject_titleThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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subject_creditlineThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.2 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.308.b
subject_titleThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.4 x 10 cm (4 1/2 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.307.a
subject_titleThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Gujarati (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.59.b
subject_titleThe prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basavana (Indian, active c. 1560–1600). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); painting only: 10.2 x 10.7 cm (4 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.36.b
subject_titleThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11 x 10.1 cm (4 5/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.72.a
subject_titleThe young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.315.a
subject_titleThe eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basavana (Indian, active c. 1560–1600). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); painting only: 10.2 x 10.7 cm (4 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.36.b
subject_titleThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.1 x 9.9 cm (3 9/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.339.a
subject_titleThe king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.2 x 10.5 cm (4 x 4 1/8 in.); overall: 20 x 13.7 cm (7 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.23.a
subject_titleThe goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.5 x 10.4 cm (2 15/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.135.b
subject_titleThe prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.144.b
subject_titleThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.8 x 10.2 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.241.a
subject_titleThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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subject_creditlineKaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10 cm (3 5/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.209.b
subject_titleKaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
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subject_creditlineThe eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.315.a
subject_titleThe eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night
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