Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.168.b
subject_titleHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.168.b
subject_titleHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.169.b
subject_titleThe disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
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provider_nameCleveland Museum of Art
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subject_creditlineBashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10.1 cm (6 5/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.167.b
subject_titleBashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.169.b
subject_titleThe disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.169.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHabbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.170.b
subject_titleHabbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHabbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.170.b
subject_titleHabbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.170.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10.1 cm (6 5/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.167.b
subject_titleBashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.167.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.b
subject_titleThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.54.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.); painting only: 13 x 10.1 cm (5 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.73.a
subject_titleThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.73.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.240.b
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Providercma
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Subject ID1960.44
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610?–17. Sur Das Gujarati (Indian, active 16th century). Gum tempera, ink, and gold on paper; overall: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.44
subject_titleVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama
subject_urlhttps://clevelandart.org/art/1960.44
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.6 x 10.7 cm (4 15/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.146.a
subject_titleThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.146.a
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.226.a
subject_titleThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.226.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basawan​ (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 10.6 cm (4 1/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.33.b
subject_titleThe monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.33.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
subject_urlhttps://clevelandart.org/art/1964.52
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.211.a
subject_titleLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
subject_urlhttps://clevelandart.org/art/1962.279.211.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 10.1 cm (4 1/2 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.222.b
subject_titleThe two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
subject_urlhttps://clevelandart.org/art/1962.279.222.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.240.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.1 x 9.9 cm (3 9/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.339.a
subject_titleThe king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
subject_urlhttps://clevelandart.org/art/1962.279.339.a
typeimage