The destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.2 x 10.1 cm (5 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.175.b
subject_titleThe destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.2 x 10.1 cm (5 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.175.b
subject_titleThe destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10 cm (4 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.227.a
subject_titleThe Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.8 x 10.1 cm (3 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.222.a
subject_titleThe two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 9.7 x 10 cm (3 13/16 x 3 15/16 in.); overall: 20 x 14.2 cm (7 7/8 x 5 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.192.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.144.b
subject_titleThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10 cm (4 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.227.a
subject_titleThe Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 11.7 x 10.2 cm (4 5/8 x 4 in.); overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.70.b
subject_titleThe husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Tara 1 (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; painting only: 14.8 x 10.3 cm (5 13/16 x 4 1/16 in.); overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.60.b
subject_titleThe deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 9.7 x 10 cm (3 13/16 x 3 15/16 in.); overall: 20 x 14.2 cm (7 7/8 x 5 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.192.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.232.b
subject_titleThe magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night, c. 1560. Ghulam 'Ali (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; overall: 20 x 14.7 cm (7 7/8 x 5 13/16 in.); painting only: 11.5 x 10.3 cm (4 1/2 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.92.a
subject_titleThe king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.232.b
subject_titleThe magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.); overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.70.a
subject_titleThe merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 12.6 x 10.4 cm (4 15/16 x 4 1/8 in.); overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.29.a
subject_titleThe two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.7 x 10.1 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.160.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlinePage from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.162.a
subject_titlePage from Tales of a Parrot (Tuti-nama): text page
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provider_nameCleveland Museum of Art
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subject_creditlineThe three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10 cm (6 5/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.225.a
subject_titleThe three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
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provider_nameCleveland Museum of Art
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subject_creditlineMahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.2 x 10.3 cm (4 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.242.a
subject_titleMahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.232.b
subject_titleThe magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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subject_creditlineThe deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Shravana (Indian, active 1550s–c.1600). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10 cm (4 1/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.67.b
subject_titleThe deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night
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