Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 9.9 cm (4 1/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.305.a
subject_titleThe young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.9 x 10.1 cm (5 1/2 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.318.b
subject_titleThe merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.144.b
subject_titleThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.3 cm (4 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.71.b
subject_titleThe handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.b
subject_titleThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.54.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.240.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.301.b
subject_titleThe four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
subject_urlhttps://clevelandart.org/art/1962.279.301.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.9 x 10.1 cm (5 1/2 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.318.b
subject_titleThe merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
subject_urlhttps://clevelandart.org/art/1962.279.318.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.301.b
subject_titleThe four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.161.a
subject_titleThe merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night
subject_urlhttps://clevelandart.org/art/1962.279.161.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 9.9 cm (4 1/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.305.a
subject_titleThe young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.305.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
subject_urlhttps://clevelandart.org/art/1962.279.81.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.144.b
subject_titleThree suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.144.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.7 x 10 cm (4 5/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.129.b
subject_titleThe false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
subject_urlhttps://clevelandart.org/art/1962.279.129.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.8 x 10.2 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.241.a
subject_titleThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.241.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; painting only: 10.3 x 10.3 cm (4 1/16 x 4 1/16 in.); overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.69.b
subject_titleThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.69.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.8 x 10.1 cm (3 1/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.161.b
subject_titleThe merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night
subject_urlhttps://clevelandart.org/art/1962.279.161.b
typeimage