The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
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Depiction ID1962.279.226.a_web
Subject ID1962.279.226.a
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provider_nameCleveland Museum of Art
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subject_creditlineThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.226.a
subject_titleThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
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Subject ID1962.279.226.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.226.a
subject_titleThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.5 cm (4 7/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.272.b
subject_titleThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.5 cm (4 7/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.272.b
subject_titleThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night
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Providercma
Depiction ID1962.279.174.b_web
Subject ID1962.279.174.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.2 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.174.b
subject_titleMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
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Providercma
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Subject ID1964.52
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
subject_urlhttps://clevelandart.org/art/1964.52
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Subject ID1964.52
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
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Providercma
Depiction ID1964.52_alt1_web
Subject ID1964.52
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
subject_urlhttps://clevelandart.org/art/1964.52
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Providercma
Depiction ID1962.279.168.b_web
Subject ID1962.279.168.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.168.b
subject_titleHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.168.b
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Providercma
Depiction ID1960.44_web
Subject ID1960.44
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610?–17. Sur Das Gujarati (Indian, active 16th century). Gum tempera, ink, and gold on paper; overall: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.44
subject_titleVabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama
subject_urlhttps://clevelandart.org/art/1960.44
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Providercma
Depiction ID1962.279.302.b_alt0_web
Subject ID1962.279.302.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.6 x 10 cm (3 3/4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.302.b
subject_titleThe fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
subject_urlhttps://clevelandart.org/art/1962.279.302.b
typeimage
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Providercma
Depiction ID1962.279.306.a_alt0_web
Subject ID1962.279.306.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.7 x 10.1 cm (4 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.306.a
subject_titleThe bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.306.a
typeimage
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Providercma
Depiction ID1962.279.168.b_alt0_web
Subject ID1962.279.168.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.168.b
subject_titleHabbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.168.b
typeimage
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Providercma
Depiction ID1962.279.174.b_alt0_web
Subject ID1962.279.174.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.2 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.174.b
subject_titleMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.174.b
typeimage
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Providercma
Depiction ID1962.279.44.b_web
Subject ID1962.279.44.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14 x 9.9 cm (5 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.44.b
subject_titleThe vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night
subject_urlhttps://clevelandart.org/art/1962.279.44.b
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Providercma
Depiction ID1962.279.73.a_alt0_web
Subject ID1962.279.73.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.); painting only: 13 x 10.1 cm (5 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.73.a
subject_titleThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.73.a
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Providercma
Depiction ID1962.279.146.b_web
Subject ID1962.279.146.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.8 x 10.1 cm (3 1/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.146.b
subject_titleThe third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.146.b
typeimage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Louis E. and Theresa S. Seley Purchase Fund for Islamic Art, Rogers Fund and Ehsan Yarshater Gift, 1986
subject_titleBustan (Orchard) of Sa'di
subject_urlhttps://www.metmuseum.org/art/collection/search/453275
typeimage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_title"Bhima Defeates Duryodhana", Folio from a Razmnama
subject_urlhttps://www.metmuseum.org/art/collection/search/451316
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14 x 9.9 cm (5 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.44.b
subject_titleThe vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night
subject_urlhttps://clevelandart.org/art/1962.279.44.b
typeimage
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Providercma
Depiction ID1962.279.84.a_web
Subject ID1962.279.84.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 5.8 x 10.2 cm (2 5/16 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.84.a
subject_titleThe monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night
subject_urlhttps://clevelandart.org/art/1962.279.84.a
typeimage