The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
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subject_creditlineThe queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10.3 cm (6 5/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.254.b
subject_titleThe queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
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subject_creditlineThe queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10.3 cm (6 5/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.254.b
subject_titleThe queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
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subject_creditlineThe queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10.3 cm (6 5/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.254.b
subject_titleThe queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
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subject_creditlineThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.231.b
subject_titleThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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subject_creditlineThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.8 x 10.2 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.241.a
subject_titleThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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subject_creditlineThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.231.b
subject_titleThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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subject_creditlineKaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10 cm (3 5/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.209.b
subject_titleKaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
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subject_creditlineThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.8 x 10.2 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.241.a
subject_titleThe king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Banavari 2 (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.); overall: 20.1 x 13.6 cm (7 15/16 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.87.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.4 x 10.3 cm (4 1/2 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.179.b
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Tara 1 (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.1 x 10.3 cm (3 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.95.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 10.2 cm (4 1/2 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.198.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.5 x 10 cm (4 1/8 x 3 15/16 in.); overall: 20.1 x 15.3 cm (7 15/16 x 6 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.185.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)
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subject_creditlineKhujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 19.9 x 14.2 cm (7 13/16 x 5 9/16 in.); painting only: 12.9 x 10.5 cm (5 1/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.8.a
subject_titleKhujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.3 cm (3 5/8 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.248.a
subject_titleThe parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)
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subject_creditlineThe parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.3 cm (3 5/8 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.248.a
subject_titleThe parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)
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subject_creditlineThe Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10 cm (4 3/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.140.a
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subject_creditlineKaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10 cm (3 5/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.209.b
subject_titleKaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
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