Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night

Provider	cma
Depiction ID	1962.279.259.b_web
Subject ID	1962.279.259.b
Model	google/siglip2-so400m-patch16-naflex

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cma

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1962.279.259.b_web

Subject ID

1962.279.259.b

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google/siglip2-so400m-patch16-naflex

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2026-10-07

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preview	https://openaccess-cdn.clevelandart.org/1962.279.259.b/1962.279.259.b_web.jpg
provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.4 x 10.2 cm (5 1/4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.259.b
subject_title	Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
subject_url	https://clevelandart.org/art/1962.279.259.b
type	image

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cma

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1962.279.259.b_alt0_web

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1962.279.259.b

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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.4 x 10.2 cm (5 1/4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.259.b
subject_title	Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
subject_url	https://clevelandart.org/art/1962.279.259.b
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cma

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1962.279.259.b

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preview	https://openaccess-cdn.clevelandart.org/1962.279.259.b/1962.279.259.b_alt1_web.jpg
provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.4 x 10.2 cm (5 1/4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.259.b
subject_title	Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
subject_url	https://clevelandart.org/art/1962.279.259.b
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cma

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1962.279.68.a_web

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1962.279.68.a

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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.4 x 10.1 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.68.a
subject_title	The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.4 x 10.1 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.68.a
subject_title	The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
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cma

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1962.279.33.b_web

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1962.279.33.b

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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basawan (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 10.6 cm (4 1/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.33.b
subject_title	The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
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cma

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1962.279.209.b_alt0_web

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1962.279.209.b

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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10 cm (3 5/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.209.b
subject_title	Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
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cma

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1962.279.209.b_web

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1962.279.209.b

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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10 cm (3 5/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.209.b
subject_title	Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
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cma

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1962.279.241.a_alt0_web

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1962.279.241.a

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provider_name	Cleveland Museum of Art
provider_url	https://clevelandart.org/
subject_creditline	The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.8 x 10.2 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.241.a
subject_title	The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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cma

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1962.279.177.b_web

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1962.279.177.b

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provider_name	Cleveland Museum of Art
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subject_creditline	In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10.1 cm (3 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.177.b
subject_title	In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
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1962.279.239.b_web

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provider_name	Cleveland Museum of Art
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subject_creditline	The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.2 cm (4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.239.b
subject_title	The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_name	Cleveland Museum of Art
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subject_creditline	The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.2 cm (4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.239.b
subject_title	The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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1962.279.33.b_alt0_web

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provider_name	Cleveland Museum of Art
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subject_creditline	The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basawan (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 10.6 cm (4 1/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.33.b
subject_title	The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
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provider_name	Cleveland Museum of Art
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subject_creditline	The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Tara 1 (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; painting only: 14.8 x 10.3 cm (5 13/16 x 4 1/16 in.); overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.60.b
subject_title	The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
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subject_creditline	The snake, hidden in a basket of flowers, reveals himself to the Raja who has just sent away his wife, from a Tuti-nama (Tales of a Parrot): Forty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.6 x 10.8 cm (4 3/16 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.278.b
subject_title	The snake, hidden in a basket of flowers, reveals himself to the Raja who has just sent away his wife, from a Tuti-nama (Tales of a Parrot): Forty-third Night
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provider_name	Cleveland Museum of Art
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subject_creditline	The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.6 x 9.9 cm (3 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.55.b
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cma

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1962.279.261.b_web

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provider_name	Cleveland Museum of Art
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subject_creditline	Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.3 cm (3 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.261.b
subject_title	Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
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cma

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1962.279.136.a_alt0_web

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1962.279.136.a

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provider_name	Cleveland Museum of Art
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subject_creditline	Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.5 x 10.2 cm (2 9/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.136.a
subject_title	Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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cma

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1962.279.161.a_web

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1962.279.161.a

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provider_name	Cleveland Museum of Art
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subject_creditline	The merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.161.a
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1962.279.67.b_web

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1962.279.67.b

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subject_creditline	The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Shravana (Indian, active 1550s–c.1600). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10 cm (4 1/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.67.b
subject_title	The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night
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1962.279.81.b_web

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provider_name	Cleveland Museum of Art
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subject_creditline	The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_title	The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
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