The fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
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Depiction ID1962.279.302.b_web
Subject ID1962.279.302.b
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Depiction ID1962.279.302.b_web
Subject ID1962.279.302.b
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.6 x 10 cm (3 3/4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.302.b
subject_titleThe fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
subject_urlhttps://clevelandart.org/art/1962.279.302.b
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Subject ID1962.279.302.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.6 x 10 cm (3 3/4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.302.b
subject_titleThe fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
subject_urlhttps://clevelandart.org/art/1962.279.302.b
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Subject ID1962.279.174.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.2 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.174.b
subject_titleMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.174.b
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Providercma
Depiction ID1962.279.226.a_web
Subject ID1962.279.226.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.226.a
subject_titleThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.226.a
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Providercma
Depiction ID1962.279.272.b_web
Subject ID1962.279.272.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.5 cm (4 7/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.272.b
subject_titleThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night
subject_urlhttps://clevelandart.org/art/1962.279.272.b
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Providercma
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Subject ID1962.279.226.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.226.a
subject_titleThe third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
subject_urlhttps://clevelandart.org/art/1962.279.226.a
typeimage
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Providercma
Depiction ID1962.279.272.b_alt0_web
Subject ID1962.279.272.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.5 cm (4 7/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.272.b
subject_titleThe Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night
subject_urlhttps://clevelandart.org/art/1962.279.272.b
typeimage
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Providercma
Depiction ID1964.52_web
Subject ID1964.52
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
subject_urlhttps://clevelandart.org/art/1964.52
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Subject IDmetmuseum:453275
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Louis E. and Theresa S. Seley Purchase Fund for Islamic Art, Rogers Fund and Ehsan Yarshater Gift, 1986
subject_titleBustan (Orchard) of Sa'di
subject_urlhttps://www.metmuseum.org/art/collection/search/453275
typeimage
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Providercma
Depiction ID1962.279.84.a_web
Subject ID1962.279.84.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 5.8 x 10.2 cm (2 5/16 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.84.a
subject_titleThe monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night
subject_urlhttps://clevelandart.org/art/1962.279.84.a
typeimage
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Providercma
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Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.2 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.174.b
subject_titleMukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.174.b
typeimage
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Providercma
Depiction ID1962.279.146.a_alt0_web
Subject ID1962.279.146.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.279.146.a/1962.279.146.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.6 x 10.7 cm (4 15/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.146.a
subject_titleThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.146.a
typeimage
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Providercma
Depiction ID1964.52_alt2_web
Subject ID1964.52
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.52/1964.52_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
subject_urlhttps://clevelandart.org/art/1964.52
typeimage
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Providercma
Depiction ID1962.279.35.a_alt3_web
Subject ID1962.279.35.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Attributed to Basavana (Indian, active c. 1560–1600). Gum tempera, ink, and gold on paper; overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.); painting only: 10.6 x 10.2 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.35.a
subject_titleThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.35.a
typeimage
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Providercma
Depiction ID1962.279.146.a_web
Subject ID1962.279.146.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.6 x 10.7 cm (4 15/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.146.a
subject_titleThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.146.a
typeimage
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Providercma
Depiction ID1962.279.287.b_web
Subject ID1962.279.287.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe emir slays the snake after giving it shelter, from a Tuti-nama (Tales of a Parrot): Forty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10.5 cm (3 7/8 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.287.b
subject_titleThe emir slays the snake after giving it shelter, from a Tuti-nama (Tales of a Parrot): Forty-fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.287.b
typeimage
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Providercma
Depiction ID1962.279.121.a_alt0_web
Subject ID1962.279.121.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe daughter-in-law of the king of Banaras sees the jackal deprived of its food by a bird, as it unsuccessfully attempts to catch a fish, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.6 x 10 cm (3 3/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.121.a
subject_titleThe daughter-in-law of the king of Banaras sees the jackal deprived of its food by a bird, as it unsuccessfully attempts to catch a fish, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
subject_urlhttps://clevelandart.org/art/1962.279.121.a
typeimage
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Providercma
Depiction ID1962.279.306.a_alt0_web
Subject ID1962.279.306.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.7 x 10.1 cm (4 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.306.a
subject_titleThe bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.306.a
typeimage
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Providercma
Depiction ID1962.279.131.b_web
Subject ID1962.279.131.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.9 x 10.5 cm (2 11/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.131.b
subject_titleThe prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
subject_urlhttps://clevelandart.org/art/1962.279.131.b
typeimage
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Providercma
Depiction ID1964.52_alt1_web
Subject ID1964.52
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.52/1964.52_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars), c. 1610–17. India, Subimperial Mughal school, 17th century. Gum tempera, ink, and gold on paper; overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1964.52
subject_titleThe First Adventure of the White Horse, Page from the Khan Khanan's Razm Nama (Book of Wars)
subject_urlhttps://clevelandart.org/art/1964.52
typeimage
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Providercma
Depiction ID1944.487.a_alt1_web
Subject ID1944.487.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineNushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], 1555–65. Iran, Qazvin, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 32.7 x 21.8 cm (12 7/8 x 8 9/16 in.); image: 20.3 x 12.7 cm (8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1944.487.a
subject_titleNushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]
subject_urlhttps://clevelandart.org/art/1944.487.a
typeimage