The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night
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Depiction ID1962.279.308.b_web
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.2 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.308.b
subject_titleThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.2 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.308.b
subject_titleThe young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.4 x 10 cm (4 1/2 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.307.a
subject_titleThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.4 x 10 cm (4 1/2 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.307.a
subject_titleThe young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.125.b
subject_titleThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.125.b
subject_titleThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.125.b
subject_titleThe merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1955
subject_title"Amr has the Infidels Thrown into the Sea", Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din
subject_urlhttps://www.metmuseum.org/art/collection/search/451324
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provider_nameCleveland Museum of Art
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subject_creditlineMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.1 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.b
subject_titleMahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.240.b
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provider_nameCleveland Museum of Art
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subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.213.b
subject_titleKaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.); painting only: 13 x 10.1 cm (5 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.73.a
subject_titleThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.3 cm (4 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.71.b
subject_titleThe handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.71.b
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.161.a
subject_titleThe merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night
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subject_creditlineGift of Arthur A. Houghton Jr., 1970
subject_title"Firdausi's Parable of the Ship of Shi'ism", Folio 18v from the Shahnama (Book of Kings) of Shah Tahmasp
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; painting only: 10.3 x 10.3 cm (4 1/16 x 4 1/16 in.); overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.69.b
subject_titleThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.b
subject_titleThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.4 x 10.2 cm (4 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.293.b
subject_titleThe Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night
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provider_nameCleveland Museum of Art
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subject_creditlineKing Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four travelling companions, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.5 x 10.1 cm (2 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.97.b
subject_titleKing Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four travelling companions, from a Tuti-nama (Tales of a Parrot): Twelfth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.b
subject_titleThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
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typeimage