The young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.1 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.310.a
subject_titleThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.310.a
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provider_nameCleveland Museum of Art
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subject_creditlineThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.1 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.310.a
subject_titleThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.310.a
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provider_nameCleveland Museum of Art
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subject_creditlineKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.1 cm (3 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.325.b
subject_titleKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.6 x 10.7 cm (4 15/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.146.a
subject_titleThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.146.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.1 cm (3 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.325.b
subject_titleKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.2 x 10.6 cm (4 x 4 3/16 in.); overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.16.a
subject_titleThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night
subject_urlhttps://clevelandart.org/art/1962.279.16.a
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provider_nameCleveland Museum of Art
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subject_creditlineShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.3 cm (3 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.261.b
subject_titleShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.6 x 10.7 cm (4 15/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.146.a
subject_titleThe suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night
subject_urlhttps://clevelandart.org/art/1962.279.146.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.3 cm (3 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.261.b
subject_titleShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
subject_urlhttps://clevelandart.org/art/1962.279.261.b
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provider_nameCleveland Museum of Art
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subject_creditlineLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.211.a
subject_titleLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
subject_urlhttps://clevelandart.org/art/1962.279.211.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.211.a
subject_titleLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
subject_urlhttps://clevelandart.org/art/1962.279.211.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.2 x 10.3 cm (4 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.242.a
subject_titleMahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.242.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10.1 cm (4 15/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.211.a
subject_titleLatif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
subject_urlhttps://clevelandart.org/art/1962.279.211.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.2 x 10.6 cm (4 x 4 3/16 in.); overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.16.a
subject_titleThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night
subject_urlhttps://clevelandart.org/art/1962.279.16.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKhusrau, the King of Kings, pays homage to the pious daughter of Khassa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 9.9 cm (3 7/8 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.329.b
subject_titleKhusrau, the King of Kings, pays homage to the pious daughter of Khassa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
subject_urlhttps://clevelandart.org/art/1962.279.329.b
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provider_nameCleveland Museum of Art
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subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
subject_urlhttps://clevelandart.org/art/1962.279.81.b
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provider_nameCleveland Museum of Art
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subject_creditlineThe pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.7 x 10 cm (3 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.340.a
subject_titleThe pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.7 x 10 cm (3 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.340.a
subject_titleThe pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe king places the talisman on his sleeping wife, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11 x 10.8 cm (4 5/16 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.323.a
subject_titleThe king places the talisman on his sleeping wife, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.5 x 9.8 cm (4 1/2 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.b
subject_titleThe young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.54.b
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Alice and Nasli Heeramaneck Collection, Gift of Alice Heeramaneck, 1981
subject_title"The Old Snake Tells the Tale of Biting the Ascetic's Son by Mistake", Folio from a Kalila wa Dimna
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