Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
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provider_nameCleveland Museum of Art
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subject_creditlineKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.1 cm (3 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.325.b
subject_titleKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
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provider_nameCleveland Museum of Art
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subject_creditlineKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.1 cm (3 5/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.325.b
subject_titleKhulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
subject_urlhttps://clevelandart.org/art/1962.279.325.b
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provider_nameCleveland Museum of Art
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subject_creditlineShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.3 cm (3 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.261.b
subject_titleShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.4 x 10.1 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.68.a
subject_titleThe farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineMahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.2 x 10.3 cm (4 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.242.a
subject_titleMahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.2 cm (4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.239.b
subject_titleThe king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.239.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.3 cm (3 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.261.b
subject_titleShahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
subject_urlhttps://clevelandart.org/art/1962.279.261.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.4 x 10.1 cm (4 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.68.a
subject_titleThe farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.68.a
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provider_nameCleveland Museum of Art
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subject_creditlineThe snake, hidden in a basket of flowers, reveals himself to the Raja who has just sent away his wife, from a Tuti-nama (Tales of a Parrot): Forty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.6 x 10.8 cm (4 3/16 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.278.b
subject_titleThe snake, hidden in a basket of flowers, reveals himself to the Raja who has just sent away his wife, from a Tuti-nama (Tales of a Parrot): Forty-third Night
subject_urlhttps://clevelandart.org/art/1962.279.278.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
subject_urlhttps://clevelandart.org/art/1962.279.81.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.5 x 10.1 cm (3 3/4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.68.b
subject_titleThe deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.68.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.2 cm (4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.239.b
subject_titleThe king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
subject_urlhttps://clevelandart.org/art/1962.279.239.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineShahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.4 x 10.2 cm (5 1/4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.259.b
subject_titleShahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.1 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.310.a
subject_titleThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.310.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10.1 cm (4 3/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.310.a
subject_titleThe young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.310.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.6 x 9.9 cm (3 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.55.b
subject_titleThe prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.55.b
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provider_nameCleveland Museum of Art
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subject_creditlineKhalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.5 x 10.2 cm (2 9/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.136.a
subject_titleKhalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
subject_urlhttps://clevelandart.org/art/1962.279.136.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKhusrau, the King of Kings, pays homage to the pious daughter of Khassa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 9.9 cm (3 7/8 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.329.b
subject_titleKhusrau, the King of Kings, pays homage to the pious daughter of Khassa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
subject_urlhttps://clevelandart.org/art/1962.279.329.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.6 x 9.9 cm (3 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.55.b
subject_titleThe prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night
subject_urlhttps://clevelandart.org/art/1962.279.55.b
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provider_nameCleveland Museum of Art
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subject_creditlineIn order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.9 x 10.1 cm (3 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.177.b
subject_titleIn order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
subject_urlhttps://clevelandart.org/art/1962.279.177.b
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provider_nameCleveland Museum of Art
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subject_creditlineThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.2 x 10.6 cm (4 x 4 3/16 in.); overall: 20.1 x 14.3 cm (7 15/16 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.16.a
subject_titleThe sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night
subject_urlhttps://clevelandart.org/art/1962.279.16.a
typeimage