The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night
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subject_creditlineThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.); overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.79.a
subject_titleThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night
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subject_creditlineThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.); overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.79.a
subject_titleThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night
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subject_creditlineThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night, c. 1560. Suraju (Indian). Gum tempera, ink, and gold on paper; painting only: 7.7 x 10.1 cm (3 1/16 x 4 in.); overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.79.a
subject_titleThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night
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subject_creditlineThe daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6 x 10.1 cm (2 3/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.98.b
subject_titleThe daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night
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subject_creditlineSeven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, from a Tuti-nama (Tales of a Parrot): Sixth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.4 x 9.8 cm (4 1/8 x 3 7/8 in.); overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.42.a
subject_titleSeven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, from a Tuti-nama (Tales of a Parrot): Sixth Night
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subject_titleSeven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, from a Tuti-nama (Tales of a Parrot): Sixth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.8 x 10.1 cm (3 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.100.b
subject_titleThe merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6 x 10.1 cm (2 3/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.98.b
subject_titleThe daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.9 x 10.5 cm (2 11/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.131.b
subject_titleThe prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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subject_creditlineThe Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.4 cm (3 5/8 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.271.a
subject_titleThe Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.2 x 10 cm (3 1/4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.134.b
subject_titleThe prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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subject_creditlineThe vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.5 x 10.2 cm (3 3/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.120.a
subject_titleThe vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
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subject_creditlineThe vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.5 x 10.2 cm (3 3/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.120.a
subject_titleThe vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.8 x 10.1 cm (3 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.100.b
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subject_creditlineThe prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.1 cm (3 9/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.132.b
subject_titleThe prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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subject_creditlineThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.108.b
subject_titleThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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subject_creditlineThe daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6 x 10.1 cm (2 3/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.98.b
subject_titleThe daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night
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subject_titleThe invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.2 x 10 cm (3 1/4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.134.b
subject_titleThe prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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subject_titleThe prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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