The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 7.4 x 10.2 cm (2 15/16 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.83.b
subject_titleThe wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 7.4 x 10.2 cm (2 15/16 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.83.b
subject_titleThe wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.5 x 10.2 cm (2 9/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.208.a
subject_titleThe parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. India, Mughal court, 16th century. Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.6 x 10 cm (3 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.112.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.7 x 10.2 cm (3 13/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.231.b
subject_titleThe Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 9.8 x 10.2 cm (3 7/8 x 4 in.); overall: 20.1 x 13.2 cm (7 15/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.81.b
subject_titleThe vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.2 x 10.1 cm (2 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.171.b
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu (Indian, active mid-1500s). Gum tempera, ink, and gold on paper; painting only: 5.8 x 10.2 cm (2 5/16 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.84.a
subject_titleThe monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe parrot addresses Khujasta at the beginning of the forty-fourth night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.6 x 10.1 cm (3 3/4 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.282.b
subject_titleThe parrot addresses Khujasta at the beginning of the forty-fourth night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.9 x 10.2 cm (3 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.130.b
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Shravana (Indian, active 1550s–c.1600). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10 cm (4 1/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.67.b
subject_titleThe deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night
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provider_nameCleveland Museum of Art
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subject_creditlineThe pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10 cm (4 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.335.b
subject_titleThe pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. India, Mughal court, 16th century. Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.6 x 10 cm (3 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.112.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.9 x 20 cm (3 1/2 x 7 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.165.b
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10 cm (4 3/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.140.a
subject_titleThe Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.2 x 10.2 cm (2 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.203.b
subject_titleThe parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.7 x 10 cm (4 3/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.140.a
subject_titleThe Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night
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provider_nameCleveland Museum of Art
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subject_creditlinePage from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.162.a
subject_titlePage from Tales of a Parrot (Tuti-nama): text page
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 8.7 x 10.1 cm (3 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.160.a
subject_titleThe Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe bird of seven colors brings a sable to the pious man, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 5.7 x 9.7 cm (2 1/4 x 3 13/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.333.b
subject_titleThe bird of seven colors brings a sable to the pious man, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
subject_urlhttps://clevelandart.org/art/1962.279.333.b
typeimage