The Gotha Missal:  Fol. 1r, Trinity and Resurrection
Providercma
Depiction ID1962.287.1.a_alt1_web
Subject ID1962.287.1.a
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Providercma
Depiction ID1962.287.1.a_alt1_web
Subject ID1962.287.1.a
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 1r, Trinity and Resurrection , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.1.a
subject_titleThe Gotha Missal: Fol. 1r, Trinity and Resurrection
subject_urlhttps://clevelandart.org/art/1962.287.1.a
typeimage
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Providermetmuseum
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Subject IDmetmuseum:32947
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Bashford Dean, 1923
subject_titleManuscript Leaf Showing an Illuminated Initial R with The Resurrection
subject_urlhttps://www.metmuseum.org/art/collection/search/32947
typeimage
Distance0.12541312
Providercma
Depiction ID1962.287.1.a_alt2_web
Subject ID1962.287.1.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.287.1.a/1962.287.1.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 1r, Trinity and Resurrection , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.1.a
subject_titleThe Gotha Missal: Fol. 1r, Trinity and Resurrection
subject_urlhttps://clevelandart.org/art/1962.287.1.a
typeimage
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Providercma
Depiction ID1962.287.1.a_web
Subject ID1962.287.1.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 1r, Trinity and Resurrection , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.1.a
subject_titleThe Gotha Missal: Fol. 1r, Trinity and Resurrection
subject_urlhttps://clevelandart.org/art/1962.287.1.a
typeimage
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Providermetmuseum
Depiction IDmetmuseum:466624:primaryImage
Subject IDmetmuseum:466624
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineFletcher Fund, 1925
subject_titleManuscript Leaf with the Resurrection, from a Psalter
subject_urlhttps://www.metmuseum.org/art/collection/search/466624
typeimage
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Providercma
Depiction ID1959.40_web
Subject ID1959.40
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Christ Being Nailed to the Cross, c. 1465. Master of the Maximilian Schoolbooks (Austrian). Ink, tempera, and gold on vellum; sheet: 12 x 8.3 cm (4 3/4 x 3 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.40
subject_titleLeaf from a Book of Hours: Christ Being Nailed to the Cross
subject_urlhttps://clevelandart.org/art/1959.40
typeimage
Distance0.13994431
Providercma
Depiction ID1951.120.118.a_web
Subject ID1951.120.118.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.118.a
subject_titleBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul
subject_urlhttps://clevelandart.org/art/1951.120.118.a
typeimage
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Providercma
Depiction ID1942.169.93.b_web
Subject ID1942.169.93.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Presentation at the Temple, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.93.b
subject_titleBook of Hours (Use of Paris): Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1942.169.93.b
typeimage
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Providermetmuseum
Depiction IDmetmuseum:382491:primaryImage
Subject IDmetmuseum:382491
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1930
subject_titlePreparation for the Crucifixion
subject_urlhttps://www.metmuseum.org/art/collection/search/382491
typeimage
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Providercma
Depiction ID1962.287.63.b_web
Subject ID1962.287.63.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 63v, Crucifixion, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.63.b
subject_titleThe Gotha Missal: Fol. 63v, Crucifixion
subject_urlhttps://clevelandart.org/art/1962.287.63.b
typeimage
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Providercma
Depiction ID1959.40_alt1_web
Subject ID1959.40
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Christ Being Nailed to the Cross, c. 1465. Master of the Maximilian Schoolbooks (Austrian). Ink, tempera, and gold on vellum; sheet: 12 x 8.3 cm (4 3/4 x 3 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.40
subject_titleLeaf from a Book of Hours: Christ Being Nailed to the Cross
subject_urlhttps://clevelandart.org/art/1959.40
typeimage
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Providermetmuseum
Depiction IDmetmuseum:467522:primaryImage
Subject IDmetmuseum:467522
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Friedsam Collection, Bequest of Michael Friedsam, 1931
subject_titleManuscript Leaf with the Resurrection, from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/467522
typeimage
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Providermetmuseum
Depiction IDmetmuseum:461122:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975 1975.1.2488
subject_titleMartyrdom of Saint Agatha in an Initial D
subject_urlhttps://www.metmuseum.org/art/collection/search/461122
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (E) Excised from an Antiphonary: Risen Christ in the Tomb, c. 1420–50. Italy, Milan. Ink, tempera, and gold on parchment; sheet: 13.4 x 14 cm (5 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Ralph King, 1924.804
subject_titleHistoriated Initial (E) Excised from an Antiphonary: Risen Christ in the Tomb
subject_urlhttps://clevelandart.org/art/1924.804
typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleLast Judgment in an Initial C
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Providercma
Depiction ID1964.40.128.a_web
Subject ID1964.40.128.a
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 128r, Man of Sorrows, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.128.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 128r, Man of Sorrows
subject_urlhttps://clevelandart.org/art/1964.40.128.a
typeimage
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Providercma
Depiction ID1964.40.106.a_alt0_web
Subject ID1964.40.106.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 106r, Last Judgment, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.106.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 106r, Last Judgment
subject_urlhttps://clevelandart.org/art/1964.40.106.a
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Friedsam Collection, Bequest of Michael Friedsam, 1931
subject_titleManuscript Leaf with the Crucifixion, from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/467513
typeimage
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Providercma
Depiction ID1951.120.118.a_alt0_web
Subject ID1951.120.118.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.118.a
subject_titleBook of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul
subject_urlhttps://clevelandart.org/art/1951.120.118.a
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris), c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169
subject_titleBook of Hours (Use of Paris)
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typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 179r, Christ Nailed to the Cross, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.179.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 179r, Christ Nailed to the Cross
subject_urlhttps://clevelandart.org/art/1964.40.179.a
typeimage