Hours of Charles the Noble, King of Navarre (1361-1425): fol. 197r, Entombment of Christ
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 197r, Entombment of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.197.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 197r, Entombment of Christ
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 88r, Flight into Egypt (Vespers), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.88.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 88r, Flight into Egypt (Vespers)
subject_urlhttps://clevelandart.org/art/1964.40.88.a
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.185.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
subject_titleBook of Hours (Use of Paris): Fol. 108r, The Pentecost
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Rouen): fol. 56r, Adoration with Shepherds/Nativity, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.56.a
subject_titleBook of Hours (Use of Rouen): fol. 56r, Adoration with Shepherds/Nativity
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.55.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds)
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.144.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ
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subject_creditlineBook of Hours (Use of Rouen): fol. 64r, Opening of Sext, Adoration of the Magi, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.); codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.64.a
subject_titleBook of Hours (Use of Rouen): fol. 64r, Opening of Sext, Adoration of the Magi
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.83.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones)
subject_urlhttps://clevelandart.org/art/1964.40.83.a
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