Hours of Charles the Noble, King of Navarre (1361-1425): fol. 256v
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subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 256v
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 257v, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.257.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 257v
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425), fol. 326v, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.326.b
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 256r, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.256.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 256r
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 258r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.258.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 258r, Text
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subject_creditlineVerona Sketchbook: (page 100), 1760. Francesco Lorenzi (Italian, 1723–1787). Paper; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.223.vvvv
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subject_creditlineVerona Sketchbook: Indecipherable form (page 97), 1760. Francesco Lorenzi (Italian, 1723–1787). Black chalk ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.223.ssss
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