Hours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
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subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
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subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
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subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.50.a
subject_titleBook of Hours (Use of Paris): Annunciation
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.185.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
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subject_titleBook of Hours (Use of Paris): Adoration of the Magi
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subject_creditlineLeaf from an Antiphonary: Coronation of the Virgin, 1400s. Attributed to Master of the Beffi Triptych (Italian, active 1390–1425). Ink, tempera, and gold on vellum; sheet: 55 x 37 cm (21 5/8 x 14 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.24
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
subject_urlhttps://clevelandart.org/art/1964.40.67.a
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provider_nameCleveland Museum of Art
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subject_creditlineBook of Hours (Use of Paris): Presentation at the Temple, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.93.b
subject_titleBook of Hours (Use of Paris): Presentation at the Temple
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provider_nameCleveland Museum of Art
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subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.83.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones)
subject_urlhttps://clevelandart.org/art/1964.40.83.a
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