Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
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Depiction ID1966.118_alt13_web
Subject ID1966.118
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Providercma
Depiction ID1966.118_alt13_web
Subject ID1966.118
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
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Providercma
Depiction ID1972.67_alt10_web
Subject ID1972.67
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.67/1972.67_alt10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the Collection of Japanese Poems from Ancient and Modern Times (Kokin wakashū) with Design of Pines Along the Shore (浜松下絵古今集和歌巻), 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), attributed to Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink on silk with gold and silver; average: 32.7 x 549 cm (12 7/8 x 216 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1972.67
subject_titleSelections from the Collection of Japanese Poems from Ancient and Modern Times (Kokin wakashū) with Design of Pines Along the Shore
subject_urlhttps://clevelandart.org/art/1972.67
typeimage
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Providercma
Depiction ID1966.118_alt6_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
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Providercma
Depiction ID1915.618.a_alt24_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt24_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.0672155
Providercma
Depiction ID1979.77_alt40_web
Subject ID1979.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.77/1979.77_alt40_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/1979.77
typeimage
Distance0.06801033
Providercma
Depiction ID1966.118_alt7_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt7_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
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Providercma
Depiction ID1915.618.a_alt22_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt22_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.076039195
Providercma
Depiction ID1954.581_alt25_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt25_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.07812238
Providercma
Depiction ID1954.581_alt24_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt24_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.07975322
Providercma
Depiction ID1915.618.a_alt23_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt23_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.07996291
Providercma
Depiction ID1967.36_alt11_web
Subject ID1967.36
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1967.36/1967.36_alt11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInk Flowers (墨花圖), 1361. Zhao Zhong (Chinese, second half of the 1300s). Handscroll; ink on paper; overall: 31.8 x 153.2 cm (12 1/2 x 60 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1967.36
subject_titleInk Flowers
subject_urlhttps://clevelandart.org/art/1967.36
typeimage
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Providercma
Depiction ID1966.118_alt9_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt9_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
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Providercma
Depiction ID1960.181_alt15_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt15_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage
Distance0.080506206
Providercma
Depiction ID1961.206_alt23_web
Subject ID1961.206
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1961.206/1961.206_alt23_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Lantern Night Excursion of Zhong Kui (鍾馗元夜出遊圖), late 1200s–early 1300s. Yan Hui (Chinese, active 1270–1310). Handscroll; ink and slight color on silk; image: 24.8 x 240.3 cm (9 3/4 x 94 5/8 in.); overall: 25.7 x 904.4 cm (10 1/8 x 356 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1961.206
subject_titleThe Lantern Night Excursion of Zhong Kui
subject_urlhttps://clevelandart.org/art/1961.206
typeimage
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Providercma
Depiction ID1954.581_alt4_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.08177382
Providercma
Depiction ID1915.618.a_alt26_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt26_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.08187306
Providercma
Depiction ID1960.181_alt11_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage
Distance0.08280438
Providercma
Depiction ID1954.581_alt7_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt7_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.08281052
Providercma
Depiction ID1963.102_alt1_web
Subject ID1963.102
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1963.102/1963.102_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, 1542–43. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on paper; image: 20.6 x 78.3 cm (8 1/8 x 30 13/16 in.); overall: 21.1 x 553.6 cm (8 5/16 x 217 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.102
subject_titleZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
subject_urlhttps://clevelandart.org/art/1963.102
typeimage
Distance0.08287126
Providercma
Depiction ID1954.581_alt6_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
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Providercma
Depiction ID1960.181_alt12_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage