Emperor Yao Visiting Yu Chonghua
Providercma
Depiction ID1968.105_alt0_web
Subject ID1968.105
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1968.105_alt0_web
Subject ID1968.105
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.105/1968.105_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEmperor Yao Visiting Yu Chonghua, mid- to late 1600s. Kusumi Morikage (Japanese, active c. 1620–1690). One of a pair of six-panel folding screens, ink, slight color, and gold on paper; image: 131.9 x 348 cm (51 15/16 x 137 in.); including mounting: 147.3 x 363.7 cm (58 x 143 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1968.105
subject_titleEmperor Yao Visiting Yu Chonghua
subject_urlhttps://clevelandart.org/art/1968.105
typeimage
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Distance0.073434055
Providercma
Depiction ID1968.105_alt2_web
Subject ID1968.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.105/1968.105_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEmperor Yao Visiting Yu Chonghua, mid- to late 1600s. Kusumi Morikage (Japanese, active c. 1620–1690). One of a pair of six-panel folding screens, ink, slight color, and gold on paper; image: 131.9 x 348 cm (51 15/16 x 137 in.); including mounting: 147.3 x 363.7 cm (58 x 143 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1968.105
subject_titleEmperor Yao Visiting Yu Chonghua
subject_urlhttps://clevelandart.org/art/1968.105
typeimage
Distance0.07988632
Providercma
Depiction ID1968.105_alt1_web
Subject ID1968.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.105/1968.105_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEmperor Yao Visiting Yu Chonghua, mid- to late 1600s. Kusumi Morikage (Japanese, active c. 1620–1690). One of a pair of six-panel folding screens, ink, slight color, and gold on paper; image: 131.9 x 348 cm (51 15/16 x 137 in.); including mounting: 147.3 x 363.7 cm (58 x 143 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1968.105
subject_titleEmperor Yao Visiting Yu Chonghua
subject_urlhttps://clevelandart.org/art/1968.105
typeimage
Distance0.08630103
Providercma
Depiction ID1977.1_alt1_web
Subject ID1977.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.1/1977.1_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiterary Gathering in the Orchid Pavilion, late 1700s. Maruyama Ōkyo (Japanese, 1733–1795). Six-panel folding screen; ink and slight color on paper; image: 83 x 191.8 cm (32 11/16 x 75 1/2 in.); overall: 95.7 x 204.5 cm (37 11/16 x 80 1/2 in.); open and extended: 83 x 243 cm (32 11/16 x 95 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.1
subject_titleLiterary Gathering in the Orchid Pavilion
subject_urlhttps://clevelandart.org/art/1977.1
typeimage
Distance0.089148104
Providercma
Depiction ID1968.105_web
Subject ID1968.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.105/1968.105_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEmperor Yao Visiting Yu Chonghua, mid- to late 1600s. Kusumi Morikage (Japanese, active c. 1620–1690). One of a pair of six-panel folding screens, ink, slight color, and gold on paper; image: 131.9 x 348 cm (51 15/16 x 137 in.); including mounting: 147.3 x 363.7 cm (58 x 143 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1968.105
subject_titleEmperor Yao Visiting Yu Chonghua
subject_urlhttps://clevelandart.org/art/1968.105
typeimage
Distance0.09098971
Providercma
Depiction ID1977.1_alt2_web
Subject ID1977.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.1/1977.1_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLiterary Gathering in the Orchid Pavilion, late 1700s. Maruyama Ōkyo (Japanese, 1733–1795). Six-panel folding screen; ink and slight color on paper; image: 83 x 191.8 cm (32 11/16 x 75 1/2 in.); overall: 95.7 x 204.5 cm (37 11/16 x 80 1/2 in.); open and extended: 83 x 243 cm (32 11/16 x 95 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.1
subject_titleLiterary Gathering in the Orchid Pavilion
subject_urlhttps://clevelandart.org/art/1977.1
typeimage
Distance0.09161472
Providercma
Depiction ID1964.279.1_alt0_web
Subject ID1964.279.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.279.1/1964.279.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChinese Landscape, 1500s. Japan, Muromachi period (1392–1573). One of a pair of six-fold screens; ink and slight color on paper; image: 155.5 x 357.8 cm (61 1/4 x 140 7/8 in.); overall: 171.5 x 373.4 cm (67 1/2 x 147 in.); closed: 171.5 x 63.5 x 11 cm (67 1/2 x 25 x 4 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.279.1
subject_titleChinese Landscape
subject_urlhttps://clevelandart.org/art/1964.279.1
typeimage
Distance0.09362835
Providercma
Depiction ID1968.267_alt0_web
Subject ID1968.267
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.267/1968.267_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shikō (Japanese, 1683–1755). Six-panel folding screen, ink on paper; image: 150 x 356 cm (59 1/16 x 140 3/16 in.); overall: 170 x 376 cm (66 15/16 x 148 1/16 in.). The Cleveland Museum of Art, Gift of N. V. Hammer, 1968.267
subject_titleEight Views of the Xiao and Xiang Rivers
subject_urlhttps://clevelandart.org/art/1968.267
typeimage
Distance0.09428555
Providercma
Depiction ID1976.92.1_alt0_web
Subject ID1976.92.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.92.1/1976.92.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons, late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.1
subject_titleLandscape of the Four Seasons
subject_urlhttps://clevelandart.org/art/1976.92.1
typeimage
Distance0.09481454
Providercma
Depiction ID1976.92.2_alt1_web
Subject ID1976.92.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.92.2/1976.92.2_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons (사계산수도 [四季山水圖]), late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.2
subject_titleLandscape of the Four Seasons
subject_urlhttps://clevelandart.org/art/1976.92.2
typeimage
Distance0.09663761
Providercma
Depiction ID1979.46.1_alt0_web
Subject ID1979.46.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.46.1/1979.46.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Accomplishments (琴棋書画図屏風), late 1500s–early 1600s. Attributed to Kano Shōei (Japanese, 1519–1592). One of a pair of six-panel folding screens; ink and slight color on paper; painting: 153 x 358.6 cm (60 1/4 x 141 3/16 in.); mounted: 174 x 378.5 cm (68 1/2 x 149 in.). The Cleveland Museum of Art, John L. Severance Fund, 1979.46.1
subject_titleThe Four Accomplishments
subject_urlhttps://clevelandart.org/art/1979.46.1
typeimage
Distance0.09815776
Providercma
Depiction ID1975.94_alt5_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.10080218
Providercma
Depiction ID2015.482.1_alt0_web
Subject ID2015.482.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2015.482.1/2015.482.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMoonlit Landscape (one of a pair), late 1500s. Japan, Muromachi period (1392–1573). Six-panel folding screen, ink on paper; framed: 155 x 364.2 x 60.6 cm (61 x 143 3/8 x 23 7/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.482.1
subject_titleMoonlit Landscape (one of a pair)
subject_urlhttps://clevelandart.org/art/2015.482.1
typeimage
Distance0.10140461
Providercma
Depiction ID1976.92.2_alt2_web
Subject ID1976.92.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.92.2/1976.92.2_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons (사계산수도 [四季山水圖]), late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.2
subject_titleLandscape of the Four Seasons
subject_urlhttps://clevelandart.org/art/1976.92.2
typeimage
Distance0.10246509
Providercma
Depiction ID1979.46.2_alt2_web
Subject ID1979.46.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.46.2/1979.46.2_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Accomplishments (琴棋書画図屏風), late 1500s–early 1600s. Attributed to Kano Shōei (Japanese, 1519–1592). One of a pair of six-panel folding screens; ink and slight color on paper; painting: 153 x 358.6 cm (60 1/4 x 141 3/16 in.); mounted: 174 x 378.5 cm (68 1/2 x 149 in.). The Cleveland Museum of Art, John L. Severance Fund, 1979.46.2
subject_titleThe Four Accomplishments
subject_urlhttps://clevelandart.org/art/1979.46.2
typeimage
Distance0.102630496
Providercma
Depiction ID2015.484.2_alt1_web
Subject ID2015.484.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2015.484.2/2015.484.2_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, 1550–99. Japan, Muromachi period (1392–1573). One of a pair of six-panel folding screens; ink and color on paper; overall: 168.8 x 258.8 cm (66 7/16 x 101 7/8 in.); painting only: 149 x 339 cm (58 11/16 x 133 7/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.484.2
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/2015.484.2
typeimage
Distance0.10305917
Providercma
Depiction ID1976.92.1_alt1_web
Subject ID1976.92.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.92.1/1976.92.1_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons, late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.1
subject_titleLandscape of the Four Seasons
subject_urlhttps://clevelandart.org/art/1976.92.1
typeimage
Distance0.10509187
Providercma
Depiction ID2015.483_alt2_web
Subject ID2015.483
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2015.483/2015.483_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with Motifs from the Eight Views of Xiao-Xiang (瀟湘八景図屏風　六曲一双の内一隻), late 1500s–early 1600s. Japan, Momoyama period (1573–1615). One of a pair of six-panel folding screens; ink on paper; painting: 129.5 x 350.8 cm (51 x 138 1/8 in.); framed: 145.5 x 366.8 x 62.5 cm (57 5/16 x 144 7/16 x 24 5/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.483
subject_titleLandscape with Motifs from the Eight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/2015.483
typeimage
Distance0.10516733
Providercma
Depiction ID1958.476_alt2_web
Subject ID1958.476
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1958.476/1958.476_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWinter and Spring Landscape, early to mid-1400s. Attributed to Tenshō Shūbun (Japanese). Six-panel folding screen; ink and slight color on paper; image: 117.4 x 343.5 cm (46 1/4 x 135 1/4 in.); overall: 131.4 x 381.6 cm (51 3/4 x 150 1/4 in.); closed: 70 x 12 cm (27 9/16 x 4 3/4 in.); panel: 131.4 x 62 cm (51 3/4 x 24 7/16 in.); with frame: 135.2 x 385.4 cm (53 1/4 x 151 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1958.476
subject_titleWinter and Spring Landscape
subject_urlhttps://clevelandart.org/art/1958.476
typeimage
Distance0.10535407
Providercma
Depiction ID1975.94_alt36_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt36_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.10547334
Providercma
Depiction ID2015.483_alt0_web
Subject ID2015.483
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2015.483/2015.483_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with Motifs from the Eight Views of Xiao-Xiang (瀟湘八景図屏風　六曲一双の内一隻), late 1500s–early 1600s. Japan, Momoyama period (1573–1615). One of a pair of six-panel folding screens; ink on paper; painting: 129.5 x 350.8 cm (51 x 138 1/8 in.); framed: 145.5 x 366.8 x 62.5 cm (57 5/16 x 144 7/16 x 24 5/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.483
subject_titleLandscape with Motifs from the Eight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/2015.483
typeimage