There is Plenty to Suck, Plate 45
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Depiction ID1972.203_web
Subject ID1972.203
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Providercma
Depiction ID1972.203_web
Subject ID1972.203
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: There is Plenty to Suck, Plate 45, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 20.3 x 15.1 cm (8 x 5 15/16 in.); sheet: 31 x 20.2 cm (12 3/16 x 7 15/16 in.). The Cleveland Museum of Art, Gift of Agnes Gund, 1972.203
subject_titleThere is Plenty to Suck, Plate 45
subject_urlhttps://clevelandart.org/art/1972.203
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: There is Plenty to Suck, Plate 45, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.640
subject_titleThere is Plenty to Suck, Plate 45
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380460
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
subject_titleA Gift for the Master, Plate 47
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Yes, He Broke the Pot, Plate 25, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.620
subject_titleYes, He Broke the Pot, Plate 25
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Be Quick, They are Waking Up, Plate 78, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.673
subject_titleBe Quick, They are Waking Up, Plate 78
subject_urlhttps://clevelandart.org/art/1922.673
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Sleep of Reason Produces Monsters, Plate 43, 1799 (c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.638
subject_titleThe Sleep of Reason Produces Monsters, Plate 43
subject_urlhttps://clevelandart.org/art/1922.638
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Providercma
Depiction ID1956.270_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.5 x 14.7 cm (8 7/16 x 5 13/16 in.); sheet: 30.7 x 22.4 cm (12 1/16 x 8 13/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.270
subject_titleA Gift for the Master, Plate 47
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineAcquired through the generosity of Mary M. and Sash A. Spencer
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subject_urlhttps://www.moma.org/collection/works/170996
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Subject IDmetmuseum:380716
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
subject_urlhttps://www.metmuseum.org/art/collection/search/380716
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
subject_urlhttps://www.metmuseum.org/art/collection/search/333789
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)
subject_urlhttps://www.metmuseum.org/art/collection/search/378031
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Shamefaced One, Plate 54, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.649
subject_titleThe Shamefaced One, Plate 54
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
subject_titleHere Comes the Bogeyman, Plate 3
subject_urlhttps://clevelandart.org/art/1922.598
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Lincoln Kirstein, 1966
subject_titleMother and Child
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: How They Pluck Her!, Plate 21, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.616
subject_titleHow They Pluck Her!, Plate 21
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
subject_urlhttps://clevelandart.org/art/1922.625
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Those Specks of Dust, Plate 23, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.618
subject_titleThose Specks of Dust, Plate 23
subject_urlhttps://clevelandart.org/art/1922.618
typeimage