Landscape (recto) Two Views of Paris (verso)
Providercma
Depiction ID1977.184_web
Subject ID1977.184
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1977.184_web
Subject ID1977.184
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.184/1977.184_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape (recto) Two Views of Paris (verso) , first half 1800s. Georges Michel (French, 1763–1843). Pen and black ink, brush and gray and yellow wash, yellow gouache, and black chalk; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184
subject_titleLandscape (recto) Two Views of Paris (verso)
subject_urlhttps://clevelandart.org/art/1977.184
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.11673522
Providercma
Depiction ID1977.184.b_web
Subject ID1977.184.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.184.b/1977.184.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwo Views of Paris (verso), 1800–1843. Georges Michel (French, 1763–1843). Pen and black ink and brush and gray and yellow wash over graphite; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184.b
subject_titleTwo Views of Paris (verso)
subject_urlhttps://clevelandart.org/art/1977.184.b
typeimage
Distance0.14660257
Providercma
Depiction ID1977.184_alt0_web
Subject ID1977.184
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.184/1977.184_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape (recto) Two Views of Paris (verso) , first half 1800s. Georges Michel (French, 1763–1843). Pen and black ink, brush and gray and yellow wash, yellow gouache, and black chalk; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184
subject_titleLandscape (recto) Two Views of Paris (verso)
subject_urlhttps://clevelandart.org/art/1977.184
typeimage
Distance0.14965194
Providercma
Depiction ID1977.184.a_web
Subject ID1977.184.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.184.a/1977.184.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape (recto), 1800–1843. Georges Michel (French, 1763–1843). Pen and black ink, brush and gray and yellow wash, yellow gouache, and black chalk; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184.a
subject_titleLandscape (recto)
subject_urlhttps://clevelandart.org/art/1977.184.a
typeimage
Distance0.17241192
Providercma
Depiction ID1950.219.13_web
Subject ID1950.219.13
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.13/1950.219.13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.13
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
subject_urlhttps://clevelandart.org/art/1950.219.13
typeimage
Distance0.17306048
Providermetmuseum
Depiction IDmetmuseum:764179:primaryImage
Subject IDmetmuseum:764179
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP-14421-001.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP-14421-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 2017
subject_titleItalianate river landscape
subject_urlhttps://www.metmuseum.org/art/collection/search/764179
typeimage
Distance0.1783855
Providercma
Depiction ID1924.623_web
Subject ID1924.623
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.623/1924.623_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHouse in Hammersmith, c. 1842–91. Charles Samuel Keene (British, 1823–1891). Pen and ink; sheet: 11.5 x 17.8 cm (4 1/2 x 7 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.623
subject_titleHouse in Hammersmith
subject_urlhttps://clevelandart.org/art/1924.623
typeimage
Distance0.1794827
Providercma
Depiction ID1950.219.12_web
Subject ID1950.219.12
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.12/1950.219.12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.12
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
subject_urlhttps://clevelandart.org/art/1950.219.12
typeimage
Distance0.18076676
Providermetmuseum
Depiction IDmetmuseum:406117:primaryImage
Subject IDmetmuseum:406117
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP829470.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP829470.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Brooke Russell Astor Bequest, 2013
subject_titleThe Moat Island, Windsor Great Park
subject_urlhttps://www.metmuseum.org/art/collection/search/406117
typeimage
Distance0.18160069
Providercma
Depiction ID1950.219.5_alt0_web
Subject ID1950.219.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.5/1950.219.5_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.5
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: A General View of Paris, taken from Chaillot
subject_urlhttps://clevelandart.org/art/1950.219.5
typeimage
Distance0.1831671
Providercma
Depiction ID1940.737_web
Subject ID1940.737
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1940.737/1940.737_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePeasant's Cottage (recto); Bridge and Gate (verso) , c. 1600. Abraham Bloemaert (Dutch, 1566–1651). Pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk; sheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.737
subject_titlePeasant's Cottage (recto); Bridge and Gate (verso)
subject_urlhttps://clevelandart.org/art/1940.737
typeimage
Distance0.18593574
Providermetmuseum
Depiction IDmetmuseum:335989:primaryImage
Subject IDmetmuseum:335989
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP807903.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP807903.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957
subject_titleA Town by a Rivers Edge
subject_urlhttps://www.metmuseum.org/art/collection/search/335989
typeimage
Distance0.1862145
Providercma
Depiction ID1950.219.20_web
Subject ID1950.219.20
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.20/1950.219.20_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.20
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton
subject_urlhttps://clevelandart.org/art/1950.219.20
typeimage
Distance0.18827307
Providermetmuseum
Depiction IDmetmuseum:755161:primaryImage
Subject IDmetmuseum:755161
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP876551.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP876551.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 2017
subject_titleThe Town of Beccles from the Bridge, Suffolk
subject_urlhttps://www.metmuseum.org/art/collection/search/755161
typeimage
Distance0.18889827
Providermetmuseum
Depiction IDmetmuseum:820749:primaryImage
Subject IDmetmuseum:820749
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887496.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887496.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Kenneth Grebinar, 2024
subject_titleA View of the Herenstraat in Voorburg, Seen from the Oosteinde
subject_urlhttps://www.metmuseum.org/art/collection/search/820749
typeimage
Distance0.18955064
Providercma
Depiction ID1950.219.14_web
Subject ID1950.219.14
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.14/1950.219.14_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.14
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine
subject_urlhttps://clevelandart.org/art/1950.219.14
typeimage
Distance0.18960512
Providercma
Depiction ID1950.219.18_web
Subject ID1950.219.18
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.18/1950.219.18_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.18
subject_titleTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve
subject_urlhttps://clevelandart.org/art/1950.219.18
typeimage
Distance0.1897192
Providercma
Depiction ID1929.551_alt2_web
Subject ID1929.551
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1929.551/1929.551_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with Trees Surrounding a Pond, c. 1800–37. John Constable (British, 1776–1837). Graphite; sheet: 19.5 x 31.1 cm (7 11/16 x 12 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.551
subject_titleLandscape with Trees Surrounding a Pond
subject_urlhttps://clevelandart.org/art/1929.551
typeimage
Distance0.19126928
Providermetmuseum
Depiction IDmetmuseum:405745:primaryImage
Subject IDmetmuseum:405745
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP269433.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP269433.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1957
subject_titleLandscape with distant buildings (Smaller Italian sketchbook, leaf 23 recto)
subject_urlhttps://www.metmuseum.org/art/collection/search/405745
typeimage
Distance0.191459
Providermetmuseum
Depiction IDmetmuseum:384201:primaryImage
Subject IDmetmuseum:384201
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP816317.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP816317.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1943
subject_titleThe Two Landscapes
subject_urlhttps://www.metmuseum.org/art/collection/search/384201
typeimage
Distance0.19360495
Providermetmuseum
Depiction IDmetmuseum:348319:primaryImage
Subject IDmetmuseum:348319
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP820057.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP820057.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Helen Hay Whitney Fund by Exchange, 1995
subject_titleRiver Landscape
subject_urlhttps://www.metmuseum.org/art/collection/search/348319
typeimage