Flowers of Four Seasons, with Poems
Providercma
Depiction ID1977.4_alt28_web
Subject ID1977.4
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1977.4_alt28_web
Subject ID1977.4
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.4/1977.4_alt28_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFlowers of Four Seasons, with Poems (四時花卉), 1531. Wang Guxiang (Chinese, 1501–1568). Handscroll; ink and light color on silk; painting only: 24 x 545 cm (9 7/16 x 214 9/16 in.); overall: 24 x 547.5 cm (9 7/16 x 215 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.4
subject_titleFlowers of Four Seasons, with Poems
subject_urlhttps://clevelandart.org/art/1977.4
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.079087615
Providercma
Depiction ID1975.94_alt21_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt21_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.112618744
Providercma
Depiction ID1977.5_alt6_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Distance0.1139195
Providercma
Depiction ID1977.5_alt22_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt22_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Distance0.11699742
Providercma
Depiction ID1966.118_alt12_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.119682014
Providercma
Depiction ID1966.118_alt4_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.120711505
Providercma
Depiction ID1966.118_alt10_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.12155908
Providercma
Depiction ID1952.589_alt18_web
Subject ID1952.589
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.589/1952.589_alt18_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRocks, Orchid, and Bamboo (蘭石竹圖), 1662. Shitao (Chinese, 1642–1707). Handscroll; ink on paper; overall: 31.8 x 266.7 cm (12 1/2 x 105 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.589
subject_titleRocks, Orchid, and Bamboo
subject_urlhttps://clevelandart.org/art/1952.589
typeimage
Distance0.123298466
Providercma
Depiction ID1977.5_alt24_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt24_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Distance0.123927414
Providercma
Depiction ID1970.3_alt3_web
Subject ID1970.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1970.3/1970.3_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape in the Style of Huang Gongwang (仿黃公望山水圖), 1649. Gu Tianzhi (Chinese, active mid-1600s). Handscroll; ink and color on paper; overall: 25.5 x 717.5 cm (10 1/16 x 282 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.3
subject_titleLandscape in the Style of Huang Gongwang
subject_urlhttps://clevelandart.org/art/1970.3
typeimage
Distance0.12402338
Providercma
Depiction ID1963.102_alt11_web
Subject ID1963.102
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1963.102/1963.102_alt11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, 1542–43. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on paper; image: 20.6 x 78.3 cm (8 1/8 x 30 13/16 in.); overall: 21.1 x 553.6 cm (8 5/16 x 217 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.102
subject_titleZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
subject_urlhttps://clevelandart.org/art/1963.102
typeimage
Distance0.1244908
Providercma
Depiction ID1975.94_alt20_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt20_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.12487227
Providercma
Depiction ID1966.118_alt11_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.13431191
Providercma
Depiction ID1977.5_alt5_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Distance0.13605767
Providercma
Depiction ID1977.5_alt23_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt23_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Distance0.13672704
Providercma
Depiction ID1966.118_alt5_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.13811064
Providercma
Depiction ID1966.118_alt9_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt9_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.14127553
Providercma
Depiction ID1979.77_alt26_web
Subject ID1979.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.77/1979.77_alt26_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/1979.77
typeimage
Distance0.14604658
Providercma
Depiction ID1981.4_alt25_web
Subject ID1981.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1981.4/1981.4_alt25_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
subject_urlhttps://clevelandart.org/art/1981.4
typeimage
Distance0.1502195
Providercma
Depiction ID1979.77_alt25_web
Subject ID1979.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.77/1979.77_alt25_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/1979.77
typeimage
Distance0.15185332
Providercma
Depiction ID1979.77_alt35_web
Subject ID1979.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.77/1979.77_alt35_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/1979.77
typeimage