Sericulture (The Process of Making Silk)
Providercma
Depiction ID1977.5_alt0_web
Subject ID1977.5
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1977.5_alt0_web
Subject ID1977.5
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.078013
Providercma
Depiction ID1977.5_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage
Distance0.09155756
Providercma
Depiction ID1959.138_web
Subject ID1959.138
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1959.138/1959.138_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineNine Songs (九歌圖), 1361. Zhang Wo (Chinese, active c.1336–after 1364), calligraphy by Chu Huan (Chinese, active 1361). Handscroll; ink on paper; overall: 28 x 438.2 cm (11 x 172 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1959.138
subject_titleNine Songs
subject_urlhttps://clevelandart.org/art/1959.138
typeimage
Distance0.09264934
Providercma
Depiction ID1980.187_alt33_web
Subject ID1980.187
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1980.187/1980.187_alt33_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline"Seventh Month" from the Odes of Bin (豳風，七月), 1200s. China, Southern Song dynasty (1127-1279). Handscroll; ink and color on silk; image: 22.5 x 687.2 cm (8 7/8 x 270 9/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1980.187
subject_title"Seventh Month" from the Odes of Bin
subject_urlhttps://clevelandart.org/art/1980.187
typeimage
Distance0.09656799
Providercma
Depiction ID1978.67_web
Subject ID1978.67
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1978.67/1978.67_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGarden for Solitary Enjoyment (獨樂園), 1515–52. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on silk; painting: 28 x 518.5 cm (11 x 204 1/8 in.); overall: 32 x 1290.2 cm (12 5/8 x 507 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.67
subject_titleGarden for Solitary Enjoyment
subject_urlhttps://clevelandart.org/art/1978.67
typeimage
Distance0.09748274
Providercma
Depiction ID1953.126_alt2_web
Subject ID1953.126
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.126/1953.126_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineStreams and Mountains without End (溪山無盡), 1100–1150. China, late Northern Song dynasty (960-1127) - Jin dynasty (1115-1234). Handscroll; ink and slight color on silk; image: 35.1 x 213 cm (13 13/16 x 83 7/8 in.); overall: 35.1 x 1103.8 cm (13 13/16 x 434 9/16 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1953.126
subject_titleStreams and Mountains without End
subject_urlhttps://clevelandart.org/art/1953.126
typeimage
Distance0.09889656
Providercma
Depiction ID1979.72_alt15_web
Subject ID1979.72
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.72/1979.72_alt15_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Ninth Day Literary Gathering at Xing’an [Temporary Retreat] (九日行庵文讌圖), 1743. Fang Shishu (Chinese, 1693–1751), and Ye Fanglin (Chinese, active late 1600s–mid-1700s). Handscroll; ink and color on silk; image: 32.4 x 201.2 cm (12 3/4 x 79 3/16 in.); overall: 33.5 x 893 cm (13 3/16 x 351 9/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 1979.72
subject_titleThe Ninth Day Literary Gathering at Xing’an [Temporary Retreat]
subject_urlhttps://clevelandart.org/art/1979.72
typeimage
Distance0.09983033
Providercma
Depiction ID1956.87_web
Subject ID1956.87
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1956.87/1956.87_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Illustrated Miraculous Origins of the Yūzū Nenbutsu School (融通念仏縁起絵巻), early 1300s. Japan, Kamakura period (1185–1333). Handscroll; ink, color, and gold on paper; painting: 29.7 x 1232.4 cm (11 11/16 x 485 3/16 in.); mounted: 30.3 x 1373.5 cm (11 15/16 x 540 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt, John L. Severance, and Edward L. Whittemore Funds, 1956.87
subject_titleThe Illustrated Miraculous Origins of the Yūzū Nenbutsu School
subject_urlhttps://clevelandart.org/art/1956.87
typeimage
Distance0.10244852
Providercma
Depiction ID1915.618.a_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.106345296
Providercma
Depiction ID1954.581_alt29_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt29_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.10733819
Providercma
Depiction ID1972.12_web
Subject ID1972.12
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12/1972.12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). Pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12
typeimage
Distance0.108825505
Providercma
Depiction ID1948.140_alt35_web
Subject ID1948.140
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1948.140/1948.140_alt35_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTen Thousand Li of the Yangzi (長江萬里), c. 1400s. Dai Jin (Chinese, 1388–1462). Handscroll; ink and color on paper; overall: 34.3 x 1172.2 cm (13 1/2 x 461 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.140
subject_titleTen Thousand Li of the Yangzi
subject_urlhttps://clevelandart.org/art/1948.140
typeimage
Distance0.11088276
Providercma
Depiction ID1948.140_web
Subject ID1948.140
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1948.140/1948.140_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTen Thousand Li of the Yangzi (長江萬里), c. 1400s. Dai Jin (Chinese, 1388–1462). Handscroll; ink and color on paper; overall: 34.3 x 1172.2 cm (13 1/2 x 461 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.140
subject_titleTen Thousand Li of the Yangzi
subject_urlhttps://clevelandart.org/art/1948.140
typeimage
Distance0.111551344
Providercma
Depiction ID1972.12.1_web
Subject ID1972.12.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12.1/1972.12.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12.1
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12.1
typeimage
Distance0.11306429
Providercma
Depiction ID1983.80_alt31_web
Subject ID1983.80
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1983.80/1983.80_alt31_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Illustrated Tale of Oishi Hyōroku (大石兵六物語絵巻), 1700s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 25.7 x 977.4 cm (10 1/8 x 384 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1983.80
subject_titleThe Illustrated Tale of Oishi Hyōroku
subject_urlhttps://clevelandart.org/art/1983.80
typeimage
Distance0.11864841
Providercma
Depiction ID1979.77_alt1_web
Subject ID1979.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.77/1979.77_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/1979.77
typeimage
Distance0.1187582
Providercma
Depiction ID1954.262_alt15_web
Subject ID1954.262
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.262/1954.262_alt15_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePure Tones among Hills and Waters (山水清音圖), 1664. Xiao Yuncong (Chinese, 1596–1673). Handscroll; ink and light color on paper; painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.262
subject_titlePure Tones among Hills and Waters
subject_urlhttps://clevelandart.org/art/1954.262
typeimage
Distance0.11892682
Providercma
Depiction ID1975.94_alt30_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt30_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.12017125
Providercma
Depiction ID1983.80_web
Subject ID1983.80
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1983.80/1983.80_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Illustrated Tale of Oishi Hyōroku (大石兵六物語絵巻), 1700s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 25.7 x 977.4 cm (10 1/8 x 384 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1983.80
subject_titleThe Illustrated Tale of Oishi Hyōroku
subject_urlhttps://clevelandart.org/art/1983.80
typeimage
Distance0.120971024
Providercma
Depiction ID1985.370_alt1_web
Subject ID1985.370
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1985.370/1985.370_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWater Village (平橋遠水), 1570. Wen Boren (Chinese, 1502–1575). Handscroll; ink and light color on paper; overall: 26.7 x 183 cm (10 1/2 x 72 1/16 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.370
subject_titleWater Village
subject_urlhttps://clevelandart.org/art/1985.370
typeimage
Distance0.1219427
Providercma
Depiction ID1963.102_alt25_web
Subject ID1963.102
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1963.102/1963.102_alt25_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, 1542–43. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on paper; image: 20.6 x 78.3 cm (8 1/8 x 30 13/16 in.); overall: 21.1 x 553.6 cm (8 5/16 x 217 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.102
subject_titleZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
subject_urlhttps://clevelandart.org/art/1963.102
typeimage