Sericulture (The Process of Making Silk)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
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Subject ID1977.5
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
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Subject ID1977.5
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
subject_urlhttps://clevelandart.org/art/1981.4
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
subject_urlhttps://clevelandart.org/art/1981.4
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Hundred Sparrows in a Lofty Grove (喬林百雀圖), 1368–1644. Attributed to Lin Liang (Chinese, 1416–1480). Handscroll; ink on silk; overall: 28.6 x 498.2 cm (11 1/4 x 196 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1981.4
subject_titleA Hundred Sparrows in a Lofty Grove
subject_urlhttps://clevelandart.org/art/1981.4
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provider_nameCleveland Museum of Art
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subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
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Subject ID1966.118
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFlowers of Four Seasons, with Poems (四時花卉), 1531. Wang Guxiang (Chinese, 1501–1568). Handscroll; ink and light color on silk; painting only: 24 x 545 cm (9 7/16 x 214 9/16 in.); overall: 24 x 547.5 cm (9 7/16 x 215 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.4
subject_titleFlowers of Four Seasons, with Poems
subject_urlhttps://clevelandart.org/art/1977.4
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
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typeimage
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
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Subject ID1975.94
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage