Garden for Solitary Enjoyment
Providercma
Depiction ID1978.67_alt3_web
Subject ID1978.67
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1978.67_alt3_web
Subject ID1978.67
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1978.67/1978.67_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGarden for Solitary Enjoyment (獨樂園), 1515–52. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on silk; painting: 28 x 518.5 cm (11 x 204 1/8 in.); overall: 32 x 1290.2 cm (12 5/8 x 507 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.67
subject_titleGarden for Solitary Enjoyment
subject_urlhttps://clevelandart.org/art/1978.67
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.0359959
Providercma
Depiction ID1978.67_alt4_web
Subject ID1978.67
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1978.67/1978.67_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGarden for Solitary Enjoyment (獨樂園), 1515–52. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on silk; painting: 28 x 518.5 cm (11 x 204 1/8 in.); overall: 32 x 1290.2 cm (12 5/8 x 507 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.67
subject_titleGarden for Solitary Enjoyment
subject_urlhttps://clevelandart.org/art/1978.67
typeimage
Distance0.051445365
Providercma
Depiction ID1966.118_alt6_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.071410954
Providercma
Depiction ID1966.118_alt9_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt9_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.075320244
Providercma
Depiction ID1954.581_alt24_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt24_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.07532573
Providercma
Depiction ID1966.118_alt7_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt7_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.07566583
Providercma
Depiction ID1966.118_alt8_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt8_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.07925165
Providercma
Depiction ID1954.581_alt7_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt7_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.07956809
Providercma
Depiction ID1954.581_alt25_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt25_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.07966298
Providercma
Depiction ID1963.102_alt1_web
Subject ID1963.102
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1963.102/1963.102_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, 1542–43. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on paper; image: 20.6 x 78.3 cm (8 1/8 x 30 13/16 in.); overall: 21.1 x 553.6 cm (8 5/16 x 217 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.102
subject_titleZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
subject_urlhttps://clevelandart.org/art/1963.102
typeimage
Distance0.08083421
Providercma
Depiction ID1915.618.a_alt21_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt21_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.08146483
Providercma
Depiction ID1966.118_alt3_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.08302897
Providercma
Depiction ID1954.581_alt4_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.08375996
Providercma
Depiction ID1915.618.a_alt24_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt24_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.08389133
Providercma
Depiction ID1916.999_alt10_web
Subject ID1916.999
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1916.999/1916.999_alt10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePeople Fleeing from a Fire, 1615–1868. Japan, Edo period (1615–1868). Handscroll; color and gold on paper; overall: 35 x 264.8 cm (13 3/4 x 104 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.999
subject_titlePeople Fleeing from a Fire
subject_urlhttps://clevelandart.org/art/1916.999
typeimage
Distance0.08419269
Providercma
Depiction ID1960.181_alt12_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt12_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage
Distance0.084913075
Providercma
Depiction ID1954.581_alt6_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.085451424
Providercma
Depiction ID1953.135_alt1_web
Subject ID1953.135
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.135/1953.135_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineJacopo Marcello Directing the Assault of Gallipoli, 1750–60. Antonio Guardi (Italian, 1699–1760). Pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink; image: 50.9 x 75 cm (20 1/16 x 29 1/2 in.); sheet: 53.6 x 77 cm (21 1/8 x 30 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1953.135
subject_titleJacopo Marcello Directing the Assault of Gallipoli
subject_urlhttps://clevelandart.org/art/1953.135
typeimage
Distance0.08587527
Providercma
Depiction ID1977.188_alt10_web
Subject ID1977.188
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.188/1977.188_alt10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTiraz of Caliph ‘Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral of Seqüenza, 941–42. Spain, Cordoba, Spanish Umayyad period (756–1031). Linen; silk: embroidery; overall: 18.2 x 117.1 cm (7 3/16 x 46 1/8 in.). The Cleveland Museum of Art, Anonymous Gift, 1977.188
subject_titleTiraz of Caliph ‘Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral of Seqüenza
subject_urlhttps://clevelandart.org/art/1977.188
typeimage
Distance0.086508155
Providercma
Depiction ID1966.118_alt13_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.087555945
Providercma
Depiction ID1960.181_alt13_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage