The Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21.b
subject_titleThe Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21.b
subject_titleThe Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21.b
subject_titleThe Monkeys and Bears Fight Ravana and His Demons (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
subject_urlhttps://clevelandart.org/art/1979.21.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21
subject_titleLeaf from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21
subject_titleLeaf from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Gum tempera and charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21.a
subject_titleHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Gum tempera and charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21.a
subject_titleHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700s. Eastern India, Odisha. Gum tempera and charcoal on palm leaf; overall: 4.8 x 40.2 cm (1 7/8 x 15 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.21.a
subject_titleHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)
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Depiction ID1985.191.a_web
Subject ID1985.191.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIconographic Drawings: Vaishravana, Yama, Ushnishavijaya, Chunda (?), and Buddha (recto), c. 1500. Tibet. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1985.191.a
subject_titleIconographic Drawings: Vaishravana, Yama, Ushnishavijaya, Chunda (?), and Buddha (recto)
subject_urlhttps://clevelandart.org/art/1985.191.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIconographic Sketchbook, c. 1500. Tibet. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1985.191
subject_titleIconographic Sketchbook
subject_urlhttps://clevelandart.org/art/1985.191
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineText, folio 89 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.9 x 55.9 cm (2 5/16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.89.a
subject_titleText, folio 89 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.89.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEnd of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.b
subject_titleEnd of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.187.b
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineText, Folio 90 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 6.1 x 55.8 cm (2 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.90.b
subject_titleText, Folio 90 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.90.b
typeimage
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Providercma
Depiction ID1971.131_web
Subject ID1971.131
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFolio 2, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka, 1428. Western India, Gujarat, possibly Patan. Gum tempera and ink on palm leaf; overall: 5.7 x 45.7 cm (2 1/4 x 18 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1971.131
subject_titleFolio 2, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka
subject_urlhttps://clevelandart.org/art/1971.131
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineText, Folio 6 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Ink and color on palm leaf; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.6.a
subject_titleText, Folio 6 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.6.a
typeimage
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Providercma
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Attributes
previewhttps://openaccess-cdn.clevelandart.org/1985.191.a/1985.191.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIconographic Drawings: Vaishravana, Yama, Ushnishavijaya, Chunda (?), and Buddha (recto), c. 1500. Tibet. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1985.191.a
subject_titleIconographic Drawings: Vaishravana, Yama, Ushnishavijaya, Chunda (?), and Buddha (recto)
subject_urlhttps://clevelandart.org/art/1985.191.a
typeimage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mr. and Mrs. A. Richard Benedek, 1986
subject_titleGreen Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
subject_urlhttps://www.metmuseum.org/art/collection/search/38008
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Marie-Hélène and Guy Weill, 1984
subject_titleOne of a Pair of Jain Manuscript Covers (Patli)
subject_urlhttps://www.metmuseum.org/art/collection/search/37835
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provider_nameCleveland Museum of Art
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subject_creditlineText, folio 3 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Ink and color on palm leaf; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.3.a
subject_titleText, folio 3 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.3.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineText, Folio 8 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Ink on palm leaf; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.8.a
subject_titleText, Folio 8 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.8.a
typeimage
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineText, Folio 5 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.5.a
subject_titleText, Folio 5 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
subject_urlhttps://clevelandart.org/art/1938.301.5.a
typeimage