Until Death, Plate 55
Providercma
Depiction ID1981.28_web
Subject ID1981.28
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Providercma
Depiction ID1981.28_web
Subject ID1981.28
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Until Death, Plate 55, 1799. Francisco de Goya (Spanish, 1746–1828). Etching, drypoint and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund by exchange, 1981.28
subject_titleUntil Death, Plate 55
subject_urlhttps://clevelandart.org/art/1981.28
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Providercma
Depiction ID1922.650_web
Subject ID1922.650
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Until Death, Plate 55, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.650
subject_titleUntil Death, Plate 55
subject_urlhttps://clevelandart.org/art/1922.650
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Distance0.113057435
Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 55 from "Los Caprichos": Until death (Hasta la muerte)
subject_urlhttps://www.metmuseum.org/art/collection/search/369649
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Providermetmuseum
Depiction IDmetmuseum:369649:primaryImage
Subject IDmetmuseum:369649
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 55 from "Los Caprichos": Until death (Hasta la muerte)
subject_urlhttps://www.metmuseum.org/art/collection/search/369649
typeimage
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Providermetmuseum
Depiction IDmetmuseum:364281:primaryImage
Subject IDmetmuseum:364281
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, 1934
subject_titleLes Adieux (The Farewells), from Le Monument du Costume
subject_urlhttps://www.metmuseum.org/art/collection/search/364281
typeimage
Distance0.2129193
Providercma
Depiction ID1922.630_web
Subject ID1922.630
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: She Fleeces Him, Plate 35, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.630
subject_titleShe Fleeces Him, Plate 35
subject_urlhttps://clevelandart.org/art/1922.630
typeimage
Distance0.21424949
Providermetmuseum
Depiction IDmetmuseum:692583:primaryImage
Subject IDmetmuseum:692583
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMuseum Accession, transferred from the Library
subject_titleThe Maid
subject_urlhttps://www.metmuseum.org/art/collection/search/692583
typeimage
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Providercma
Depiction ID1922.601_web
Subject ID1922.601
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
subject_urlhttps://clevelandart.org/art/1922.601
typeimage
Distance0.22514796
Providermetmuseum
Depiction IDmetmuseum:816333:primaryImage
Subject IDmetmuseum:816333
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968
subject_titleA woman getting out of bed in an elegant interior, with two servants about to help her get dressed, while her husband sits in an armchair at right
subject_urlhttps://www.metmuseum.org/art/collection/search/816333
typeimage
Distance0.22692084
Providercma
Depiction ID1922.597_web
Subject ID1922.597
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1922.597/1922.597_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
typeimage
Distance0.22740555
Providermetmuseum
Depiction IDmetmuseum:821095:primaryImage
Subject IDmetmuseum:821095
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, Transferred from the Library, 1923
subject_titleLes Bouquets ou la fête de la grand-maman
subject_urlhttps://www.metmuseum.org/art/collection/search/821095
typeimage
Distance0.22992706
Providercma
Depiction ID1922.611_web
Subject ID1922.611
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
subject_urlhttps://clevelandart.org/art/1922.611
typeimage
Distance0.22996044
Providercma
Depiction ID1956.276_web
Subject ID1956.276
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.2 x 15 cm (8 3/8 x 5 7/8 in.); sheet: 30.8 x 22.2 cm (12 1/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.276
subject_titleIt is Better to be Lazy, Plate 73
subject_urlhttps://clevelandart.org/art/1956.276
typeimage
Distance0.2305265
Providermetmuseum
Depiction IDmetmuseum:692585:primaryImage
Subject IDmetmuseum:692585
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP874138.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineA. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1988
subject_titleThe Sculptors
subject_urlhttps://www.metmuseum.org/art/collection/search/692585
typeimage
Distance0.23111999
Providercma
Depiction ID1922.602_web
Subject ID1922.602
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1922.602/1922.602_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
subject_urlhttps://clevelandart.org/art/1922.602
typeimage
Distance0.2312473
Providermetmuseum
Depiction IDmetmuseum:369334:primaryImage
Subject IDmetmuseum:369334
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP813888.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP813888.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1918
subject_titleLe Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
subject_urlhttps://www.metmuseum.org/art/collection/search/369334
typeimage
Distance0.23306566
Providercma
Depiction ID1922.652_web
Subject ID1922.652
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previewhttps://openaccess-cdn.clevelandart.org/1922.652/1922.652_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Filiation, Plate 57, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.652
subject_titleThe Filiation, Plate 57
subject_urlhttps://clevelandart.org/art/1922.652
typeimage
Distance0.23405111
Providermetmuseum
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Subject IDmetmuseum:816419
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1966
subject_titleThe Meeting, a man bows before a seated woman at center, while couples wearing masks converse in the background
subject_urlhttps://www.metmuseum.org/art/collection/search/816419
typeimage
Distance0.23652118
Providermetmuseum
Depiction IDmetmuseum:369348:primaryImage
Subject IDmetmuseum:369348
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP813932.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLa Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
subject_urlhttps://www.metmuseum.org/art/collection/search/369348
typeimage
Distance0.236942
Providermetmuseum
Depiction IDmetmuseum:423431:primaryImage
Subject IDmetmuseum:423431
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Thekla Kretz, 1927
subject_titleL'Amour a L'Espagnole
subject_urlhttps://www.metmuseum.org/art/collection/search/423431
typeimage
Distance0.23861265
Providermetmuseum
Depiction IDmetmuseum:380469:primaryImage
Subject IDmetmuseum:380469
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 35 from "Los Caprichos": She fleeces him (Le descañona)
subject_urlhttps://www.metmuseum.org/art/collection/search/380469
typeimage