Gathering of Otsu-e Subjects
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Providercma
Depiction ID1982.9_alt2_web
Subject ID1982.9
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provider_nameCleveland Museum of Art
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subject_creditlineGathering of Otsu-e Subjects (大津絵図屏風), late 1800s. Shibata Zeshin (Japanese, 1807–1891). Eight-panel folding screen; ink and color on hemp; image: 101 x 396 cm (39 3/4 x 155 7/8 in.); overall: 170 x 336 cm (66 15/16 x 132 5/16 in.); closed: 170 x 11.7 x 61.6 cm (66 15/16 x 4 5/8 x 24 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1982.9
subject_titleGathering of Otsu-e Subjects
subject_urlhttps://clevelandart.org/art/1982.9
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Subject ID1982.9
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGathering of Otsu-e Subjects (大津絵図屏風), late 1800s. Shibata Zeshin (Japanese, 1807–1891). Eight-panel folding screen; ink and color on hemp; image: 101 x 396 cm (39 3/4 x 155 7/8 in.); overall: 170 x 336 cm (66 15/16 x 132 5/16 in.); closed: 170 x 11.7 x 61.6 cm (66 15/16 x 4 5/8 x 24 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1982.9
subject_titleGathering of Otsu-e Subjects
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineOeyama Engi, 1615–1868. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink and color on paper; overall: 30.5 x 733.6 cm (12 x 288 13/16 in.); painting only: 25.4 x 701 cm (10 x 276 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1982.31.1
subject_titleOeyama Engi
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGathering of Otsu-e Subjects (大津絵図屏風), late 1800s. Shibata Zeshin (Japanese, 1807–1891). Eight-panel folding screen; ink and color on hemp; image: 101 x 396 cm (39 3/4 x 155 7/8 in.); overall: 170 x 336 cm (66 15/16 x 132 5/16 in.); closed: 170 x 11.7 x 61.6 cm (66 15/16 x 4 5/8 x 24 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1982.9
subject_titleGathering of Otsu-e Subjects
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineScenes from Essays in Idleness (徒然草図屏風), late 1700s–early 1800s. Matsumura Goshun (Japanese, 1752–1811). One of a pair of six-panel folding screens; ink and color on paper; image: 146.5 x 330.7 cm (57 11/16 x 130 3/16 in.); overall: 170.2 x 375.8 cm (67 x 147 15/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1971.43.1
subject_titleScenes from Essays in Idleness
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineOeyama Engi, 1615–1868. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink and color on paper; overall: 30.5 x 733.6 cm (12 x 288 13/16 in.); painting only: 25.4 x 701 cm (10 x 276 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1982.31.1
subject_titleOeyama Engi
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provider_nameCleveland Museum of Art
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subject_creditlineGathering of Otsu-e Subjects (大津絵図屏風), late 1800s. Shibata Zeshin (Japanese, 1807–1891). Eight-panel folding screen; ink and color on hemp; image: 101 x 396 cm (39 3/4 x 155 7/8 in.); overall: 170 x 336 cm (66 15/16 x 132 5/16 in.); closed: 170 x 11.7 x 61.6 cm (66 15/16 x 4 5/8 x 24 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1982.9
subject_titleGathering of Otsu-e Subjects
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provider_nameThe Metropolitan Museum of Art
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subject_titleSeven Gods of Good Fortune
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provider_nameCleveland Museum of Art
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subject_creditlineGathering of Otsu-e Subjects (大津絵図屏風), late 1800s. Shibata Zeshin (Japanese, 1807–1891). Eight-panel folding screen; ink and color on hemp; image: 101 x 396 cm (39 3/4 x 155 7/8 in.); overall: 170 x 336 cm (66 15/16 x 132 5/16 in.); closed: 170 x 11.7 x 61.6 cm (66 15/16 x 4 5/8 x 24 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1982.9
subject_titleGathering of Otsu-e Subjects
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provider_nameCleveland Museum of Art
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subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
subject_titleAn Illustrated Marriage of Apparitions
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provider_nameCleveland Museum of Art
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subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
subject_titleAn Illustrated Marriage of Apparitions
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provider_nameCleveland Museum of Art
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subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
subject_titleAn Illustrated Marriage of Apparitions
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provider_nameCleveland Museum of Art
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subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
subject_titleAn Illustrated Marriage of Apparitions
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOeyama Engi, 1615–1868. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink and color on paper; overall: 30.5 x 733.6 cm (12 x 288 13/16 in.); painting only: 25.4 x 701 cm (10 x 276 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1982.31.1
subject_titleOeyama Engi
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineOeyama Engi, 1615–1868. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink and color on paper; overall: 30.5 x 781.8 cm (12 x 307 13/16 in.); painting only: 25.4 x 748.3 cm (10 x 294 5/8 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1982.31.2
subject_titleOeyama Engi
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineOeyama Engi, 1615–1868. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink and color on paper; overall: 30.5 x 733.6 cm (12 x 288 13/16 in.); painting only: 25.4 x 701 cm (10 x 276 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1982.31.1
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Illustrated Miraculous Origins of the Yūzū Nenbutsu School (融通念仏縁起絵巻), early 1300s. Japan, Kamakura period (1185–1333). Handscroll; ink, color, and gold on paper; painting: 29.7 x 1232.4 cm (11 11/16 x 485 3/16 in.); mounted: 30.3 x 1373.5 cm (11 15/16 x 540 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt, John L. Severance, and Edward L. Whittemore Funds, 1956.87
subject_titleThe Illustrated Miraculous Origins of the Yūzū Nenbutsu School
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provider_nameCleveland Museum of Art
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subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
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subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
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provider_nameCleveland Museum of Art
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subject_creditlineOeyama Engi, 1615–1868. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink and color on paper; overall: 30.5 x 733.6 cm (12 x 288 13/16 in.); painting only: 25.4 x 701 cm (10 x 276 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1982.31.1
subject_titleOeyama Engi
subject_urlhttps://clevelandart.org/art/1982.31.1
typeimage