The Cid Campeador Spearing Another Bull
Providercma
Depiction ID1984.95_web
Subject ID1984.95
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Providercma
Depiction ID1984.95_web
Subject ID1984.95
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Cid Campeador Spearing Another Bull, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint and engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1984.95
subject_titleThe Cid Campeador Spearing Another Bull
subject_urlhttps://clevelandart.org/art/1984.95
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: El Cid Campeador Spearing Another Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.550
subject_titleBullfights: El Cid Campeador Spearing Another Bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 11 from "La Tauromaquia": The Cid campeador spearing another bull
subject_urlhttps://www.metmuseum.org/art/collection/search/359939
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Providercma
Depiction ID1923.544_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
subject_urlhttps://clevelandart.org/art/1923.544
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Providermetmuseum
Depiction IDmetmuseum:397871:primaryImage
Subject IDmetmuseum:397871
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
subject_urlhttps://www.metmuseum.org/art/collection/search/397871
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
subject_urlhttps://www.metmuseum.org/art/collection/search/360409
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCharles V Spearing a Bull in the Ring at Valladolid, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, drypoint and engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1984.94
subject_titleCharles V Spearing a Bull in the Ring at Valladolid
subject_urlhttps://clevelandart.org/art/1984.94
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.563
subject_titleBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid
subject_urlhttps://clevelandart.org/art/1923.563
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/397869
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLa Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint and engraving. The Cleveland Museum of Art, Gift of Barbara and Joe Meals in memory of Moselle Taylor Meals, 1984.74
subject_titleLa Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 11 from "La Tauromaquia": The Cid campeador spearing another bull
subject_urlhttps://www.metmuseum.org/art/collection/search/359939
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
subject_urlhttps://www.metmuseum.org/art/collection/search/333780
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Providermetmuseum
Depiction IDmetmuseum:397898:primaryImage
Subject IDmetmuseum:397898
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
subject_urlhttps://www.metmuseum.org/art/collection/search/397898
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.561
subject_titleBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.552
subject_titleBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants
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Providermetmuseum
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Subject IDmetmuseum:397893
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleThe agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
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Providermetmuseum
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Subject IDmetmuseum:365886
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
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Providermetmuseum
Depiction IDmetmuseum:397902:primaryImage
Subject IDmetmuseum:397902
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
subject_urlhttps://www.metmuseum.org/art/collection/search/397902
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
subject_urlhttps://www.metmuseum.org/art/collection/search/397900
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