Happy Forest, from Water Margin
Providercma
Depiction ID1986.95_alt18_web
Subject ID1986.95
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1986.95_alt18_web
Subject ID1986.95
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1986.95/1986.95_alt18_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHappy Forest, from Water Margin (『水滸傳』 快活林図), late 1700s. Matsumura Goshun (Japanese, 1752–1811), and Amenomori Shōteki (Japanese, 1731–1786). Hanging scroll; ink and color on paper; image: 137.8 x 41.3 cm (54 1/4 x 16 1/4 in.); overall: 209.6 x 62.3 cm (82 1/2 x 24 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1986.95
subject_titleHappy Forest, from Water Margin
subject_urlhttps://clevelandart.org/art/1986.95
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.10556024
Providercma
Depiction ID1986.95_alt17_web
Subject ID1986.95
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1986.95/1986.95_alt17_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHappy Forest, from Water Margin (『水滸傳』 快活林図), late 1700s. Matsumura Goshun (Japanese, 1752–1811), and Amenomori Shōteki (Japanese, 1731–1786). Hanging scroll; ink and color on paper; image: 137.8 x 41.3 cm (54 1/4 x 16 1/4 in.); overall: 209.6 x 62.3 cm (82 1/2 x 24 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1986.95
subject_titleHappy Forest, from Water Margin
subject_urlhttps://clevelandart.org/art/1986.95
typeimage
Distance0.12059295
Providercma
Depiction ID1971.33_alt0_web
Subject ID1971.33
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1971.33/1971.33_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineDesign for a Monstrance, 1600s. Anonymous. Pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphite; sheet: 76.6 x 43 cm (30 3/16 x 16 15/16 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1971.33
subject_titleDesign for a Monstrance
subject_urlhttps://clevelandart.org/art/1971.33
typeimage
Distance0.12176669
Providercma
Depiction ID1983.114_alt0_web
Subject ID1983.114
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1983.114/1983.114_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineStudies of a Lion Killing Prey, c. 1800s. India, Kotah school, c. 19th century. Ink on paper; drawing; overall: 23 x 33.9 cm (9 1/16 x 13 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. William E. Ward, 1983.114
subject_titleStudies of a Lion Killing Prey
subject_urlhttps://clevelandart.org/art/1983.114
typeimage
Distance0.121839285
Providercma
Depiction ID1949.128_alt0_web
Subject ID1949.128
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1949.128/1949.128_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineNo Title, 1753–1806. Kitagawa Utamaro (Japanese, c. 1754–1806). Color woodblock print; sheet: 37.5 x 25.2 cm (14 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Madeleine Hamill in memory of Lawrence Hamill, 1949.128
subject_titleNo Title
subject_urlhttps://clevelandart.org/art/1949.128
typeimage
Distance0.12497532
Providercma
Depiction ID1943.257.b_web
Subject ID1943.257.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.257.b/1943.257.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCartouche (verso), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Graphite; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257.b
subject_titleCartouche (verso)
subject_urlhttps://clevelandart.org/art/1943.257.b
typeimage
Distance0.12596536
Providercma
Depiction ID1929.551_alt1_web
Subject ID1929.551
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1929.551/1929.551_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with Trees Surrounding a Pond, c. 1800–37. John Constable (British, 1776–1837). Graphite; sheet: 19.5 x 31.1 cm (7 11/16 x 12 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.551
subject_titleLandscape with Trees Surrounding a Pond
subject_urlhttps://clevelandart.org/art/1929.551
typeimage
Distance0.12635314
Providercma
Depiction ID1943.341_alt3_web
Subject ID1943.341
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.341/1943.341_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Faun Grasping a Bunch of Grapes, after 1616–18. Studio of Peter Paul Rubens (Flemish, 1577–1640). Black chalk and brush and brown wash; framing lines in pen and black ink; sheet: 37.8 x 26.2 cm (14 7/8 x 10 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1943.341
subject_titleA Faun Grasping a Bunch of Grapes
subject_urlhttps://clevelandart.org/art/1943.341
typeimage
Distance0.1280914
Providercma
Depiction ID1943.341_alt2_web
Subject ID1943.341
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.341/1943.341_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Faun Grasping a Bunch of Grapes, after 1616–18. Studio of Peter Paul Rubens (Flemish, 1577–1640). Black chalk and brush and brown wash; framing lines in pen and black ink; sheet: 37.8 x 26.2 cm (14 7/8 x 10 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1943.341
subject_titleA Faun Grasping a Bunch of Grapes
subject_urlhttps://clevelandart.org/art/1943.341
typeimage
Distance0.12917763
Providercma
Depiction ID1977.188_alt10_web
Subject ID1977.188
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.188/1977.188_alt10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTiraz of Caliph ‘Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral of Seqüenza, 941–42. Spain, Cordoba, Spanish Umayyad period (756–1031). Linen; silk: embroidery; overall: 18.2 x 117.1 cm (7 3/16 x 46 1/8 in.). The Cleveland Museum of Art, Anonymous Gift, 1977.188
subject_titleTiraz of Caliph ‘Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral of Seqüenza
subject_urlhttps://clevelandart.org/art/1977.188
typeimage
Distance0.13000017
Providercma
Depiction ID1944.492_alt0_web
Subject ID1944.492
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1944.492/1944.492_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineDragon in foliage with lion and phoenix heads, mid-1500s. Attributed to Sahkulu (Turkish, active 1526–56). Ink, gum tempera, and gold on paper; sheet: 17.3 x 40.2 cm (6 13/16 x 15 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1944.492
subject_titleDragon in foliage with lion and phoenix heads
subject_urlhttps://clevelandart.org/art/1944.492
typeimage
Distance0.13024724
Providercma
Depiction ID1953.6_alt2_web
Subject ID1953.6
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.6/1953.6_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAllegory of Christian Belief, c. 1622. Johann Liss (German, c. 1597–1631). Pen and brown ink and brush and brown wash; framing lines in pen and black ink; sheet: 15.3 x 9.4 cm (6 x 3 11/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1953.6
subject_titleAllegory of Christian Belief
subject_urlhttps://clevelandart.org/art/1953.6
typeimage
Distance0.13282096
Providercma
Depiction ID1943.341_alt6_web
Subject ID1943.341
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.341/1943.341_alt6_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Faun Grasping a Bunch of Grapes, after 1616–18. Studio of Peter Paul Rubens (Flemish, 1577–1640). Black chalk and brush and brown wash; framing lines in pen and black ink; sheet: 37.8 x 26.2 cm (14 7/8 x 10 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1943.341
subject_titleA Faun Grasping a Bunch of Grapes
subject_urlhttps://clevelandart.org/art/1943.341
typeimage
Distance0.13287711
Providermetmuseum
Depiction IDmetmuseum:216513:primaryImage
Subject IDmetmuseum:216513
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/es/original/DP358278.jpg
previewhttps://images.metmuseum.org/CRDImages/es/web-large/DP358278.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1909
subject_titleQuilt
subject_urlhttps://www.metmuseum.org/art/collection/search/216513
typeimage
Distance0.13455045
Providercma
Depiction ID1987.29_alt1_web
Subject ID1987.29
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1987.29/1987.29_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRocks at Livermead near Torquay (England), c. 1852. Attributed to John Dillwyn Llewelyn (British, 1810–1882). Salted paper print from calotype negative; image: 28.5 x 21.4 cm (11 1/4 x 8 7/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1987.29
subject_titleRocks at Livermead near Torquay (England)
subject_urlhttps://clevelandart.org/art/1987.29
typeimage
Distance0.13456899
Providercma
Depiction ID1978.67_alt4_web
Subject ID1978.67
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1978.67/1978.67_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGarden for Solitary Enjoyment (獨樂園), 1515–52. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on silk; painting: 28 x 518.5 cm (11 x 204 1/8 in.); overall: 32 x 1290.2 cm (12 5/8 x 507 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.67
subject_titleGarden for Solitary Enjoyment
subject_urlhttps://clevelandart.org/art/1978.67
typeimage
Distance0.13517296
Providercma
Depiction ID1986.95_alt16_web
Subject ID1986.95
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1986.95/1986.95_alt16_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHappy Forest, from Water Margin (『水滸傳』 快活林図), late 1700s. Matsumura Goshun (Japanese, 1752–1811), and Amenomori Shōteki (Japanese, 1731–1786). Hanging scroll; ink and color on paper; image: 137.8 x 41.3 cm (54 1/4 x 16 1/4 in.); overall: 209.6 x 62.3 cm (82 1/2 x 24 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1986.95
subject_titleHappy Forest, from Water Margin
subject_urlhttps://clevelandart.org/art/1986.95
typeimage
Distance0.13522321
Providercma
Depiction ID2017.213_alt0_web
Subject ID2017.213
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2017.213/2017.213_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Christening in Revolutionary France, late 18th century. Jean-Baptiste Mallet (French, 1759–1835). Pen and brown and gray inks and red chalk and watercolor, heightened with white; squaring for transfer; sheet: 33.3 x 44.6 cm (13 1/8 x 17 9/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2017.213
subject_titleA Christening in Revolutionary France
subject_urlhttps://clevelandart.org/art/2017.213
typeimage
Distance0.13536793
Providercma
Depiction ID1971.85_alt0_web
Subject ID1971.85
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1971.85/1971.85_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBabur meeting with Sultan Ali Mirza at the Kohik River, from a Babur-nama (Memoirs of Babur), c. 1590. India, Mughal school, 16th century. Gum tempera and gold on paper; image: 28 x 16.5 cm (11 x 6 1/2 in.); overall: 41 x 27.1 cm (16 1/8 x 10 11/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1971.85
subject_titleBabur meeting with Sultan Ali Mirza at the Kohik River, from a Babur-nama (Memoirs of Babur)
subject_urlhttps://clevelandart.org/art/1971.85
typeimage
Distance0.13546872
Providercma
Depiction ID1992.115_alt0_web
Subject ID1992.115
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1992.115/1992.115_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Parable of the Tribute Money, c. 1580–1600. Master of the Egmont Albums (Netherlandish, 1480-1620). Pen and brown ink, traces of pen and black ink and black chalk, on paper; framing lines in brown ink; sheet: 27.2 x 35.4 cm (10 11/16 x 13 15/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1992.115
subject_titleThe Parable of the Tribute Money
subject_urlhttps://clevelandart.org/art/1992.115
typeimage
Distance0.136864
Providercma
Depiction ID1929.557_alt5_web
Subject ID1929.557
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1929.557/1929.557_alt5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaint Jerome in a Landscape, c. 1530. Domenico Campagnola (Italian, 1500–1564). Pen and brown ink; sheet: 24.5 x 36.5 cm (9 5/8 x 14 3/8 in.); secondary support: 31.3 x 43.3 cm (12 5/16 x 17 1/16 in.). The Cleveland Museum of Art, The Charles W. Harkness Endowment Fund, 1929.557
subject_titleSaint Jerome in a Landscape
subject_urlhttps://clevelandart.org/art/1929.557
typeimage