Frontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women
Providercma
Depiction ID1991.157_alt0_web
Subject ID1991.157
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Providercma
Depiction ID1991.157_alt0_web
Subject ID1991.157
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1991.157/1991.157_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFrontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women, c. 1537–1540. Master of Francis I (French). Ink, tempera, and liquid gold on vellum; sheet: 27.1 x 20.1 cm (10 11/16 x 7 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1991.157
subject_titleFrontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women
subject_urlhttps://clevelandart.org/art/1991.157
typeimage
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Providercma
Depiction ID1991.157_web
Subject ID1991.157
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1991.157/1991.157_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFrontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women, c. 1537–1540. Master of Francis I (French). Ink, tempera, and liquid gold on vellum; sheet: 27.1 x 20.1 cm (10 11/16 x 7 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1991.157
subject_titleFrontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women
subject_urlhttps://clevelandart.org/art/1991.157
typeimage
Distance0.12823164
Providermetmuseum
Depiction IDmetmuseum:337759:primaryImage
Subject IDmetmuseum:337759
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of James Clark McGuire, 1930
subject_titleSaint Jerome in Penitence and as a Scholar Removing a Thorn from a Lion's Paw
subject_urlhttps://www.metmuseum.org/art/collection/search/337759
typeimage
Distance0.13321722
Providercma
Depiction ID1924.431_web
Subject ID1924.431
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.431/1924.431_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial M[issus est] Excised from an Antiphonary: The Annunciation, 1430–1438. Stefano da Verona (Italian, c. 1375–1438). Ink, tempera, and gold on vellum; sheet: 19.7 x 16.7 cm (7 3/4 x 6 9/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.431
subject_titleInitial M[issus est] Excised from an Antiphonary: The Annunciation
subject_urlhttps://clevelandart.org/art/1924.431
typeimage
Distance0.13486391
Providercma
Depiction ID1952.13_web
Subject ID1952.13
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.13/1952.13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSt. Jerome, 1460–1470. Germany. Engraving, hand-colored; sheet: 36.1 x 25.4 cm (14 3/16 x 10 in.); book: 40.5 x 28.5 x 6.5 cm (15 15/16 x 11 1/4 x 2 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.13
subject_titleSt. Jerome
subject_urlhttps://clevelandart.org/art/1952.13
typeimage
Distance0.1364423
Providermetmuseum
Depiction IDmetmuseum:467520:primaryImage
Subject IDmetmuseum:467520
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf32-100-475Fs1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf32-100-475Fs1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Friedsam Collection, Bequest of Michael Friedsam, 1931
subject_titleManuscript Leaf from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/467520
typeimage
Distance0.13869905
Providercma
Depiction ID1952.227_alt0_web
Subject ID1952.227
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227/1952.227_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen), c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227
subject_titleBook of Hours (Use of Rouen)
subject_urlhttps://clevelandart.org/art/1952.227
typeimage
Distance0.1410973
Providermetmuseum
Depiction IDmetmuseum:460799:primaryImage
Subject IDmetmuseum:460799
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2469.JPG
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-2469.JPG
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleSaint Michael Presenting a Donor to Christ as Salvator Mundi
subject_urlhttps://www.metmuseum.org/art/collection/search/460799
typeimage
Distance0.14155978
Providercma
Depiction ID1952.227.13.a_web
Subject ID1952.227.13.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 13r, The Four Evangelists, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.13.a
subject_titleBook of Hours (Use of Rouen): fol. 13r, The Four Evangelists
subject_urlhttps://clevelandart.org/art/1952.227.13.a
typeimage
Distance0.14288324
Providercma
Depiction ID1954.146_web
Subject ID1954.146
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.146/1954.146_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSingle Leaf from a Missal: Two Male Saints, late 1400s. Italy, Venice. Tempera on parchment; sheet: 26 x 20 cm (10 1/4 x 7 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.146
subject_titleSingle Leaf from a Missal: Two Male Saints
subject_urlhttps://clevelandart.org/art/1954.146
typeimage
Distance0.14322388
Providercma
Depiction ID1952.227.80.a_web
Subject ID1952.227.80.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.80.a/1952.227.80.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.80.a
subject_titleBook of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath
subject_urlhttps://clevelandart.org/art/1952.227.80.a
typeimage
Distance0.14363474
Providercma
Depiction ID1964.40.161.b_web
Subject ID1964.40.161.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.161.b/1964.40.161.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
typeimage
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Providercma
Depiction ID1964.40.161.b_alt0_web
Subject ID1964.40.161.b
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
typeimage
Distance0.14612728
Providercma
Depiction ID1945.16_web
Subject ID1945.16
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1945.16/1945.16_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from Jehan de Courcy's "Chronique Universelle": King Priam Meets Helen and Paris outside the Gates of Troy, c. 1470. Northeastern France, 15th century. Ink, tempera, and gold on vellum; sheet: 36.3 x 27.2 cm (14 5/16 x 10 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1945.16
subject_titleLeaf from Jehan de Courcy's "Chronique Universelle": King Priam Meets Helen and Paris outside the Gates of Troy
subject_urlhttps://clevelandart.org/art/1945.16
typeimage
Distance0.1466546
Providermetmuseum
Depiction IDmetmuseum:467421:primaryImage
Subject IDmetmuseum:467421
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT5143.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Gwynne M. Andrews, 1930
subject_titleLeaf from a Manuscript of Valerius Maximus
subject_urlhttps://www.metmuseum.org/art/collection/search/467421
typeimage
Distance0.14971513
Providercma
Depiction ID1964.40.272.b_web
Subject ID1964.40.272.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.272.b/1964.40.272.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 272v, St. Luke, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.272.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 272v, St. Luke
subject_urlhttps://clevelandart.org/art/1964.40.272.b
typeimage
Distance0.15057284
Providercma
Depiction ID1964.40.74.b_alt0_web
Subject ID1964.40.74.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.74.b/1964.40.74.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): Annunciation to the Shepherds (Tierce), fol. 74 (verso), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.74.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): Annunciation to the Shepherds (Tierce), fol. 74 (verso)
subject_urlhttps://clevelandart.org/art/1964.40.74.b
typeimage
Distance0.15167862
Providermetmuseum
Depiction IDmetmuseum:195299:primaryImage
Subject IDmetmuseum:195299
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/es/original/ES775.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of J. Pierpont Morgan, 1925
subject_titleHelenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
subject_urlhttps://www.metmuseum.org/art/collection/search/195299
typeimage
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Providercma
Depiction ID1964.40.79.a_alt2_web
Subject ID1964.40.79.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.79.a/1964.40.79.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 79r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.79.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 79r, Text
subject_urlhttps://clevelandart.org/art/1964.40.79.a
typeimage
Distance0.15260577
Providercma
Depiction ID1964.40.78.b_alt4_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.15265423
Providermetmuseum
Depiction IDmetmuseum:461124:primaryImage
Subject IDmetmuseum:461124
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2467-v.JPG
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleSaint Anthony
subject_urlhttps://www.metmuseum.org/art/collection/search/461124
typeimage