The Four Seasons
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Providercma
Depiction ID1992.394.2_alt1_web
Subject ID1992.394.2
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Seasons, 1668. Kano Tan’yū (Japanese, 1602–1674). Six-panel folding screen, ink and slight color on paper; image: 174 x 381 cm (68 1/2 x 150 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.394.2
subject_titleThe Four Seasons
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Subject ID1964.279.1
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChinese Landscape, 1500s. Japan, Muromachi period (1392–1573). One of a pair of six-fold screens; ink and slight color on paper; image: 155.5 x 357.8 cm (61 1/4 x 140 7/8 in.); overall: 171.5 x 373.4 cm (67 1/2 x 147 in.); closed: 171.5 x 63.5 x 11 cm (67 1/2 x 25 x 4 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.279.1
subject_titleChinese Landscape
subject_urlhttps://clevelandart.org/art/1964.279.1
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Subject ID1960.284
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shikō (Japanese, 1683–1755). Six-panel folding screen; ink on paper; image: 150 x 356 cm (59 1/16 x 140 3/16 in.); overall: 170 x 376 cm (66 15/16 x 148 1/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Sherman E. Lee, 1960.284
subject_titleEight Views of the Xiao and Xiang Rivers
subject_urlhttps://clevelandart.org/art/1960.284
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Seasons, 1668. Kano Tan’yū (Japanese, 1602–1674). Six-panel folding screen, ink and slight color on paper; image: 174 x 381 cm (68 1/2 x 150 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.394.2
subject_titleThe Four Seasons
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Seasons, 1668. Kano Tan’yū (Japanese, 1602–1674). Six-panel folding screen, ink and slight color on paper; image: 174 x 381 cm (68 1/2 x 150 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.394.1
subject_titleThe Four Seasons
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Subject ID1968.267
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shikō (Japanese, 1683–1755). Six-panel folding screen, ink on paper; image: 150 x 356 cm (59 1/16 x 140 3/16 in.); overall: 170 x 376 cm (66 15/16 x 148 1/16 in.). The Cleveland Museum of Art, Gift of N. V. Hammer, 1968.267
subject_titleEight Views of the Xiao and Xiang Rivers
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Seasons, 1668. Kano Tan’yū (Japanese, 1602–1674). Six-panel folding screen, ink and slight color on paper; image: 174 x 381 cm (68 1/2 x 150 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.394.1
subject_titleThe Four Seasons
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Depiction ID1968.267_alt1_web
Subject ID1968.267
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shikō (Japanese, 1683–1755). Six-panel folding screen, ink on paper; image: 150 x 356 cm (59 1/16 x 140 3/16 in.); overall: 170 x 376 cm (66 15/16 x 148 1/16 in.). The Cleveland Museum of Art, Gift of N. V. Hammer, 1968.267
subject_titleEight Views of the Xiao and Xiang Rivers
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Providercma
Depiction ID1960.284_alt1_web
Subject ID1960.284
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shikō (Japanese, 1683–1755). Six-panel folding screen; ink on paper; image: 150 x 356 cm (59 1/16 x 140 3/16 in.); overall: 170 x 376 cm (66 15/16 x 148 1/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Sherman E. Lee, 1960.284
subject_titleEight Views of the Xiao and Xiang Rivers
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Depiction ID1992.394.2_alt0_web
Subject ID1992.394.2
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Four Seasons, 1668. Kano Tan’yū (Japanese, 1602–1674). Six-panel folding screen, ink and slight color on paper; image: 174 x 381 cm (68 1/2 x 150 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.394.2
subject_titleThe Four Seasons
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Providercma
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Subject ID2015.483
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape with Motifs from the Eight Views of Xiao-Xiang (瀟湘八景図屏風　六曲一双の内一隻), late 1500s–early 1600s. Japan, Momoyama period (1573–1615). One of a pair of six-panel folding screens; ink on paper; painting: 129.5 x 350.8 cm (51 x 138 1/8 in.); framed: 145.5 x 366.8 x 62.5 cm (57 5/16 x 144 7/16 x 24 5/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.483
subject_titleLandscape with Motifs from the Eight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/2015.483
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Providercma
Depiction ID1976.92.2_alt1_web
Subject ID1976.92.2
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons (사계산수도 [四季山水圖]), late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.2
subject_titleLandscape of the Four Seasons
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons (사계산수도 [四季山水圖]), late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.2
subject_titleLandscape of the Four Seasons
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, 1550–99. Japan, Muromachi period (1392–1573). One of a pair of six-panel folding screens; ink and color on paper; overall: 168.8 x 358.8 cm (66 7/16 x 141 1/4 in.); painting only: 148.9 x 338.3 cm (58 5/8 x 133 3/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.484.1
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/2015.484.1
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape, 1550–99. Japan, Muromachi period (1392–1573). One of a pair of six-panel folding screens; ink and color on paper; overall: 168.8 x 258.8 cm (66 7/16 x 101 7/8 in.); painting only: 149 x 339 cm (58 11/16 x 133 7/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.484.2
subject_titleLandscape
subject_urlhttps://clevelandart.org/art/2015.484.2
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Providercma
Depiction ID1976.92.2_alt2_web
Subject ID1976.92.2
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape of the Four Seasons (사계산수도 [四季山水圖]), late 1400s. Yi Sumun (Korean, b. c. 1404). One of a pair of six-panel screens; ink and slight color on paper; overall: 108 x 361.3 cm (42 1/2 x 142 1/4 in.); painting only: 92.7 x 348.7 cm (36 1/2 x 137 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.92.2
subject_titleLandscape of the Four Seasons
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typeimage
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Providercma
Depiction ID1992.394.1_alt2_web
Subject ID1992.394.1
Attributes
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provider_nameCleveland Museum of Art
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subject_creditlineThe Four Seasons, 1668. Kano Tan’yū (Japanese, 1602–1674). Six-panel folding screen, ink and slight color on paper; image: 174 x 381 cm (68 1/2 x 150 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.394.1
subject_titleThe Four Seasons
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWinter Day, 1784. Maruyama Ōkyo (Japanese, 1733–1795). Six-panel folding screen, ink, gold, and silver on paper; image: 154 x 362 cm (60 5/8 x 142 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1973.156.2
subject_titleWinter Day
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChinese Pavilions in a Landscape, 1600s. Unkoku Tōeki (Japanese, 1591–1644?). Six-panel folding screen, ink and light color on paper; painting: 155.3 x 358.2 cm (61 1/8 x 141 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.471
subject_titleChinese Pavilions in a Landscape
subject_urlhttps://clevelandart.org/art/2015.471
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChinese Landscape, 1500s. Japan, Muromachi period (1392–1573). One of a pair of six-fold screens; ink and slight color on paper; image: 155.5 x 357.8 cm (61 1/4 x 140 7/8 in.); overall: 171.5 x 373.4 cm (67 1/2 x 147 in.); closed: 171.5 x 63.5 x 11 cm (67 1/2 x 25 x 4 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.279.2
subject_titleChinese Landscape
subject_urlhttps://clevelandart.org/art/1964.279.2
typeimage
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Providercma
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Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shikō (Japanese, 1683–1755). Six-panel folding screen; ink on paper; image: 150 x 356 cm (59 1/16 x 140 3/16 in.); overall: 170 x 376 cm (66 15/16 x 148 1/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Sherman E. Lee, 1960.284
subject_titleEight Views of the Xiao and Xiang Rivers
subject_urlhttps://clevelandart.org/art/1960.284
typeimage