Sketch Copy of Natural Disasters, from the Seven Fortunes and Misfortunes
Providercma
Depiction ID1993.132_web
Subject ID1993.132
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1993.132_web
Subject ID1993.132
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
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previewhttps://openaccess-cdn.clevelandart.org/1993.132/1993.132_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSketch Copy of Natural Disasters, from the Seven Fortunes and Misfortunes (七難七福図巻の内　天災巻（模本）), after 1773. Japan, Edo period (1615–1868) to Meiji period (1868–1912). Handscroll; ink and color on paper; 34 x 1714.5 cm (13 3/8 x 675 in.). The Cleveland Museum of Art, John L. Severance Fund, 1993.132
subject_titleSketch Copy of Natural Disasters, from the Seven Fortunes and Misfortunes
subject_urlhttps://clevelandart.org/art/1993.132
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.08923012
Providercma
Depiction ID1956.87_web
Subject ID1956.87
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1956.87/1956.87_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Illustrated Miraculous Origins of the Yūzū Nenbutsu School (融通念仏縁起絵巻), early 1300s. Japan, Kamakura period (1185–1333). Handscroll; ink, color, and gold on paper; painting: 29.7 x 1232.4 cm (11 11/16 x 485 3/16 in.); mounted: 30.3 x 1373.5 cm (11 15/16 x 540 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt, John L. Severance, and Edward L. Whittemore Funds, 1956.87
subject_titleThe Illustrated Miraculous Origins of the Yūzū Nenbutsu School
subject_urlhttps://clevelandart.org/art/1956.87
typeimage
Distance0.11542112
Providercma
Depiction ID1972.12.1_alt35_web
Subject ID1972.12.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12.1/1972.12.1_alt35_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12.1
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12.1
typeimage
Distance0.1431827
Providercma
Depiction ID1966.118_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.1461147
Providercma
Depiction ID1915.618.a_web
Subject ID1915.618.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Distance0.14738095
Providercma
Depiction ID1978.67_web
Subject ID1978.67
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1978.67/1978.67_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGarden for Solitary Enjoyment (獨樂園), 1515–52. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on silk; painting: 28 x 518.5 cm (11 x 204 1/8 in.); overall: 32 x 1290.2 cm (12 5/8 x 507 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.67
subject_titleGarden for Solitary Enjoyment
subject_urlhttps://clevelandart.org/art/1978.67
typeimage
Distance0.1500966
Providercma
Depiction ID1979.77_alt1_web
Subject ID1979.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1979.77/1979.77_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEight Views of Xiao-Xiang (瀟湘八景図巻), 1500s. Sesson Shūkei (Japanese, c. 1492–c. 1577). Handscroll; ink on paper; overall: 15.7 x 289.5 cm (6 3/16 x 114 in.). The Cleveland Museum of Art, Gift of Sherman E. Lee in memory of John D. Rockefeller, 3rd, 1979.77
subject_titleEight Views of Xiao-Xiang
subject_urlhttps://clevelandart.org/art/1979.77
typeimage
Distance0.15313411
Providercma
Depiction ID1972.12.1_web
Subject ID1972.12.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12.1/1972.12.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12.1
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12.1
typeimage
Distance0.15466899
Providercma
Depiction ID1959.138_web
Subject ID1959.138
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1959.138/1959.138_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineNine Songs (九歌圖), 1361. Zhang Wo (Chinese, active c.1336–after 1364), calligraphy by Chu Huan (Chinese, active 1361). Handscroll; ink on paper; overall: 28 x 438.2 cm (11 x 172 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1959.138
subject_titleNine Songs
subject_urlhttps://clevelandart.org/art/1959.138
typeimage
Distance0.15647006
Providermoma
Depiction IDe6f3c48de909b04b
Subject ID100288
Attributes
previewhttps://www.moma.org/media/W1siZiIsIjEwNjYwMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=e6f3c48de909b04b
provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineGift of Edward R. Broida
subject_title
subject_urlhttps://www.moma.org/collection/works/100288
typeimage
Distance0.15808415
Providercma
Depiction ID1978.67_alt48_web
Subject ID1978.67
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1978.67/1978.67_alt48_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGarden for Solitary Enjoyment (獨樂園), 1515–52. Qiu Ying (Chinese, 1494–1552). Handscroll; ink and light color on silk; painting: 28 x 518.5 cm (11 x 204 1/8 in.); overall: 32 x 1290.2 cm (12 5/8 x 507 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.67
subject_titleGarden for Solitary Enjoyment
subject_urlhttps://clevelandart.org/art/1978.67
typeimage
Distance0.15814811
Providercma
Depiction ID1983.80_alt31_web
Subject ID1983.80
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1983.80/1983.80_alt31_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Illustrated Tale of Oishi Hyōroku (大石兵六物語絵巻), 1700s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 25.7 x 977.4 cm (10 1/8 x 384 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1983.80
subject_titleThe Illustrated Tale of Oishi Hyōroku
subject_urlhttps://clevelandart.org/art/1983.80
typeimage
Distance0.15995419
Providercma
Depiction ID1953.126_alt2_web
Subject ID1953.126
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.126/1953.126_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineStreams and Mountains without End (溪山無盡), 1100–1150. China, late Northern Song dynasty (960-1127) - Jin dynasty (1115-1234). Handscroll; ink and slight color on silk; image: 35.1 x 213 cm (13 13/16 x 83 7/8 in.); overall: 35.1 x 1103.8 cm (13 13/16 x 434 9/16 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1953.126
subject_titleStreams and Mountains without End
subject_urlhttps://clevelandart.org/art/1953.126
typeimage
Distance0.16042805
Providercma
Depiction ID1948.140_alt35_web
Subject ID1948.140
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1948.140/1948.140_alt35_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTen Thousand Li of the Yangzi (長江萬里), c. 1400s. Dai Jin (Chinese, 1388–1462). Handscroll; ink and color on paper; overall: 34.3 x 1172.2 cm (13 1/2 x 461 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.140
subject_titleTen Thousand Li of the Yangzi
subject_urlhttps://clevelandart.org/art/1948.140
typeimage
Distance0.16105235
Providercma
Depiction ID1954.581_alt29_web
Subject ID1954.581
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.581/1954.581_alt29_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
subject_urlhttps://clevelandart.org/art/1954.581
typeimage
Distance0.16127473
Providercma
Depiction ID1954.791_alt43_web
Subject ID1954.791
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.791/1954.791_alt43_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeisure Enough to Spare (有餘閒), 1360. Yao Tingmei (Chinese, active mid-1300s). Handscroll; ink on paper; image: 23.1 x 84 cm (9 1/8 x 33 1/16 in.); overall: 23.8 x 734 cm (9 3/8 x 289 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.791
subject_titleLeisure Enough to Spare
subject_urlhttps://clevelandart.org/art/1954.791
typeimage
Distance0.16201895
Providercma
Depiction ID1915.617_web
Subject ID1915.617
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.617/1915.617_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInsects and Flowers (草蟲圖卷), c. 1900. China, Qing dynasty (1644-1911) or Republican period (1912-49). Handscroll; ink and color on paper; overall: 30.5 x 799 cm (12 x 314 9/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.617
subject_titleInsects and Flowers
subject_urlhttps://clevelandart.org/art/1915.617
typeimage
Distance0.16523957
Providercma
Depiction ID1959.46_alt37_web
Subject ID1959.46
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1959.46/1959.46_alt37_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRiver and Mountains on a Clear Autumn Day (江山秋霽圖), c. 1624–27. Dong Qichang (Chinese, 1555–1636). Handscroll; ink on Korean paper; painting only: 38 x 136.8 cm (14 15/16 x 53 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1959.46
subject_titleRiver and Mountains on a Clear Autumn Day
subject_urlhttps://clevelandart.org/art/1959.46
typeimage
Distance0.16666752
Providercma
Depiction ID1993.132_alt20_web
Subject ID1993.132
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1993.132/1993.132_alt20_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSketch Copy of Natural Disasters, from the Seven Fortunes and Misfortunes (七難七福図巻の内　天災巻（模本）), after 1773. Japan, Edo period (1615–1868) to Meiji period (1868–1912). Handscroll; ink and color on paper; 34 x 1714.5 cm (13 3/8 x 675 in.). The Cleveland Museum of Art, John L. Severance Fund, 1993.132
subject_titleSketch Copy of Natural Disasters, from the Seven Fortunes and Misfortunes
subject_urlhttps://clevelandart.org/art/1993.132
typeimage
Distance0.16841686
Providercma
Depiction ID1985.370_alt1_web
Subject ID1985.370
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1985.370/1985.370_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWater Village (平橋遠水), 1570. Wen Boren (Chinese, 1502–1575). Handscroll; ink and light color on paper; overall: 26.7 x 183 cm (10 1/2 x 72 1/16 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.370
subject_titleWater Village
subject_urlhttps://clevelandart.org/art/1985.370
typeimage
Distance0.17180753
Providercma
Depiction ID1972.12.2_web
Subject ID1972.12.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12.2/1972.12.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12.2
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12.2
typeimage