The Healing of Tobit
Providercma
Depiction ID1993.5_alt1_web
Subject ID1993.5
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1993.5_alt1_web
Subject ID1993.5
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1993.5/1993.5_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Healing of Tobit, c. 1625. Bernardo Strozzi (Italian, 1581?-1644). Oil on wood; framed: 57.2 x 80 x 10.2 cm (22 1/2 x 31 1/2 x 4 in.); unframed: 42.7 x 65.5 cm (16 13/16 x 25 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund and Mr. and Mrs. William H. Marlatt Fund, 1993.5
subject_titleThe Healing of Tobit
subject_urlhttps://clevelandart.org/art/1993.5
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.0499205
Providercma
Depiction ID1993.5_alt3_web
Subject ID1993.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1993.5/1993.5_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Healing of Tobit, c. 1625. Bernardo Strozzi (Italian, 1581?-1644). Oil on wood; framed: 57.2 x 80 x 10.2 cm (22 1/2 x 31 1/2 x 4 in.); unframed: 42.7 x 65.5 cm (16 13/16 x 25 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund and Mr. and Mrs. William H. Marlatt Fund, 1993.5
subject_titleThe Healing of Tobit
subject_urlhttps://clevelandart.org/art/1993.5
typeimage
Distance0.079174936
Providercma
Depiction ID1993.5_web
Subject ID1993.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1993.5/1993.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Healing of Tobit, c. 1625. Bernardo Strozzi (Italian, 1581?-1644). Oil on wood; framed: 57.2 x 80 x 10.2 cm (22 1/2 x 31 1/2 x 4 in.); unframed: 42.7 x 65.5 cm (16 13/16 x 25 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund and Mr. and Mrs. William H. Marlatt Fund, 1993.5
subject_titleThe Healing of Tobit
subject_urlhttps://clevelandart.org/art/1993.5
typeimage
Distance0.09665084
Providermetmuseum
Depiction IDmetmuseum:437763:primaryImage
Subject IDmetmuseum:437763
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ep/original/DP277247.jpg
previewhttps://images.metmuseum.org/CRDImages/ep/web-large/DP277247.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1957
subject_titleTobias Curing His Father's Blindness
subject_urlhttps://www.metmuseum.org/art/collection/search/437763
typeimage
Distance0.17563283
Providercma
Depiction ID1980.39_alt1_web
Subject ID1980.39
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1980.39/1980.39_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineStudy for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659–1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1980.39
subject_titleStudy for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan)
subject_urlhttps://clevelandart.org/art/1980.39
typeimage
Distance0.17895901
Providermetmuseum
Depiction IDmetmuseum:437763:primaryImage
Subject IDmetmuseum:437763
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ep/original/DP277247.jpg
previewhttps://images.metmuseum.org/CRDImages/ep/web-large/DP277247.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1957
subject_titleTobias Curing His Father's Blindness
subject_urlhttps://www.metmuseum.org/art/collection/search/437763
typeimage
Distance0.18108201
Providercma
Depiction ID1916.785_alt0_web
Subject ID1916.785
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1916.785/1916.785_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChrist and the Woman Taken in Adultery, mid 1700s. Follower of Sebastiano Ricci (Italian, 1659–1734). Oil on canvas; framed: 54.6 x 64.8 x 8.9 cm (21 1/2 x 25 1/2 x 3 1/2 in.); unframed: 34.6 x 43.5 cm (13 5/8 x 17 1/8 in.). The Cleveland Museum of Art, Holden Collection, 1916.785
subject_titleChrist and the Woman Taken in Adultery
subject_urlhttps://clevelandart.org/art/1916.785
typeimage
Distance0.18994081
Providermetmuseum
Depiction IDmetmuseum:13200:primaryImage
Subject IDmetmuseum:13200
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ad/original/ap69.73.jpg
previewhttps://images.metmuseum.org/CRDImages/ad/web-large/ap69.73.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mr. and Mrs. James W. Fosburgh, by exchange, 1969
subject_titleMoses Shown the Promised Land
subject_urlhttps://www.metmuseum.org/art/collection/search/13200
typeimage
Distance0.1919102
Providercma
Depiction ID1952.512_alt1_web
Subject ID1952.512
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.512/1952.512_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChrist with Joseph of Arimathea, c. 1525. Giovanni Girolamo Savoldo (Italian, c. 1480–after 1548). Oil on wood; framed: 134.6 x 221 x 12.7 cm (53 x 87 x 5 in.); unframed: 105 x 191.8 cm (41 5/16 x 75 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1952.512
subject_titleChrist with Joseph of Arimathea
subject_urlhttps://clevelandart.org/art/1952.512
typeimage
Distance0.19194835
Providercma
Depiction ID1968.22_alt2_web
Subject ID1968.22
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.22/1968.22_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAdoration of the Shepherds, c. 1670. Carlo Dolci (Italian, 1616–1687). Oil on canvas; framed: 108 x 90.2 x 7.7 cm (42 1/2 x 35 1/2 x 3 1/16 in.); unframed: 88.6 x 70.5 cm (34 7/8 x 27 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1968.22
subject_titleAdoration of the Shepherds
subject_urlhttps://clevelandart.org/art/1968.22
typeimage
Distance0.1972475
Providermetmuseum
Depiction IDmetmuseum:437815:primaryImage
Subject IDmetmuseum:437815
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ep/original/DP-25224-001.jpg
previewhttps://images.metmuseum.org/CRDImages/ep/web-large/DP-25224-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, 1871
subject_titleThe Sacrifice of Isaac
subject_urlhttps://www.metmuseum.org/art/collection/search/437815
typeimage
Distance0.19801027
Providercma
Depiction ID1950.251_web
Subject ID1950.251
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.251/1950.251_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Annunciation, c. 1580. Paolo Veronese (Italian, 1528–1588), and Workshop. Oil on canvas; framed: 176 x 159.5 x 9.5 cm (69 5/16 x 62 13/16 x 3 3/4 in.); unframed: 150 x 133.4 cm (59 1/16 x 52 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1950.251
subject_titleThe Annunciation
subject_urlhttps://clevelandart.org/art/1950.251
typeimage
Distance0.19836146
Providercma
Depiction ID1968.100_alt4_web
Subject ID1968.100
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1968.100/1968.100_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAdoration of the Shepherds, c. 1650. Bernardo Cavallino (Italian, 1616–1656). Oil on canvas; framed: 151 x 172 x 7 cm (59 7/16 x 67 11/16 x 2 3/4 in.); unframed: 126.8 x 148.3 cm (49 15/16 x 58 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1968.100
subject_titleAdoration of the Shepherds
subject_urlhttps://clevelandart.org/art/1968.100
typeimage
Distance0.19914198
Providercma
Depiction ID1949.185_alt1_web
Subject ID1949.185
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1949.185/1949.185_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHoly Family with a Shepherd, early 1520s. Battista Dossi (Italian, c. 1490–1548). Oil on canvas; unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1949.185
subject_titleHoly Family with a Shepherd
subject_urlhttps://clevelandart.org/art/1949.185
typeimage
Distance0.19948757
Providercma
Depiction ID1952.235.1_web
Subject ID1952.235.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.235.1/1952.235.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Sacrifice of Isaac, 1750s. Francesco Guardi (Italian, 1712–1793). Oil on canvas; framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.235.1
subject_titleThe Sacrifice of Isaac
subject_urlhttps://clevelandart.org/art/1952.235.1
typeimage
Distance0.19977319
Providercma
Depiction ID1952.235.3_web
Subject ID1952.235.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.235.3/1952.235.3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Angels Appearing to Abraham, 1750s. Francesco Guardi (Italian, 1712–1793). Oil on canvas; framed: 71 x 90.5 x 7 cm (27 15/16 x 35 5/8 x 2 3/4 in.); unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.235.3
subject_titleThe Angels Appearing to Abraham
subject_urlhttps://clevelandart.org/art/1952.235.3
typeimage
Distance0.2000804
Providercma
Depiction ID1973.32_alt1_web
Subject ID1973.32
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1973.32/1973.32_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRest on the Flight into Egypt, c. 1640. Charles Poërson (French, 1609–1667). Oil on wood; framed: 57.5 x 67.5 x 6.5 cm (22 5/8 x 26 9/16 x 2 9/16 in.); unframed: 35.5 x 45.9 cm (14 x 18 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1973.32
subject_titleRest on the Flight into Egypt
subject_urlhttps://clevelandart.org/art/1973.32
typeimage
Distance0.20038259
Providercma
Depiction ID1929.96_alt1_web
Subject ID1929.96
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1929.96/1929.96_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Miracles of Saint James the Greater, 1726. Noël Nicolas Coypel (French, 1690–1734). Oil on canvas; framed: 129.5 x 107.5 x 10.5 cm (51 x 42 5/16 x 4 1/8 in.); unframed: 102 x 80.7 cm (40 3/16 x 31 3/4 in.). The Cleveland Museum of Art, Gift of Felix Wildenstein, 1929.96
subject_titleThe Miracles of Saint James the Greater
subject_urlhttps://clevelandart.org/art/1929.96
typeimage
Distance0.20049572
Providercma
Depiction ID1983.217_alt1_web
Subject ID1983.217
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1983.217/1983.217_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Fall of Simon Magus, c. 1745–50. Studio of Pompeo Batoni (Italian, 1708–1787). Oil on canvas; framed: 207 x 133 x 10.5 cm (81 1/2 x 52 3/8 x 4 1/8 in.); unframed: 183 x 108 cm (72 1/16 x 42 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1983.217
subject_titleThe Fall of Simon Magus
subject_urlhttps://clevelandart.org/art/1983.217
typeimage
Distance0.2025317
Providercma
Depiction ID1952.512_alt2_web
Subject ID1952.512
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.512/1952.512_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineChrist with Joseph of Arimathea, c. 1525. Giovanni Girolamo Savoldo (Italian, c. 1480–after 1548). Oil on wood; framed: 134.6 x 221 x 12.7 cm (53 x 87 x 5 in.); unframed: 105 x 191.8 cm (41 5/16 x 75 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1952.512
subject_titleChrist with Joseph of Arimathea
subject_urlhttps://clevelandart.org/art/1952.512
typeimage
Distance0.20378476
Providercma
Depiction ID1974.2_alt1_web
Subject ID1974.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1974.2/1974.2_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturn to Nazareth, 1735. Francesco Conti (Italian, 1681–1760). Oil on canvas; framed: 136.5 x 102.5 x 6 cm (53 3/4 x 40 3/8 x 2 3/8 in.); unframed: 118.2 x 84.2 cm (46 9/16 x 33 1/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1974.2
subject_titleReturn to Nazareth
subject_urlhttps://clevelandart.org/art/1974.2
typeimage