Parlor Scene
Providermetmuseum
Depiction IDmetmuseum:11333:primaryImage
Subject IDmetmuseum:11333
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:11333:primaryImage
Subject IDmetmuseum:11333
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ad/original/ap67.55.161.jpg
previewhttps://images.metmuseum.org/CRDImages/ad/web-large/ap67.55.161.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Susan Dwight Bliss, 1966
subject_titleParlor Scene
subject_urlhttps://www.metmuseum.org/art/collection/search/11333
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.13727498
Providercma
Depiction ID1924.378_web
Subject ID1924.378
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.378/1924.378_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCoelebs in Search of a Mulready Envelope, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.378
subject_titleCoelebs in Search of a Mulready Envelope
subject_urlhttps://clevelandart.org/art/1924.378
typeimage
Distance0.1489414
Providercma
Depiction ID1935.263_web
Subject ID1935.263
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1935.263/1935.263_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFour Friends, second state, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.263
subject_titleFour Friends, second state
subject_urlhttps://clevelandart.org/art/1935.263
typeimage
Distance0.15500063
Providercma
Depiction ID1924.392_web
Subject ID1924.392
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.392/1924.392_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMuch Ado about Nothing, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.392
subject_titleMuch Ado about Nothing
subject_urlhttps://clevelandart.org/art/1924.392
typeimage
Distance0.15632689
Providercma
Depiction ID1924.373_web
Subject ID1924.373
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.373/1924.373_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Song of the Disconsolate One, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.373
subject_titleThe Song of the Disconsolate One
subject_urlhttps://clevelandart.org/art/1924.373
typeimage
Distance0.16415966
Providercma
Depiction ID1924.388_web
Subject ID1924.388
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.388/1924.388_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWanted a Curate. Rather an Ordeal for the Reverend M. Green, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.388
subject_titleWanted a Curate. Rather an Ordeal for the Reverend M. Green
subject_urlhttps://clevelandart.org/art/1924.388
typeimage
Distance0.16517961
Providercma
Depiction ID1924.376_web
Subject ID1924.376
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.376/1924.376_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Little Hop in Harley Street, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.376
subject_titleA Little Hop in Harley Street
subject_urlhttps://clevelandart.org/art/1924.376
typeimage
Distance0.16551816
Providercma
Depiction ID1924.390_web
Subject ID1924.390
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.390/1924.390_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Other Mrs. Johnson, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.390
subject_titleThe Other Mrs. Johnson
subject_urlhttps://clevelandart.org/art/1924.390
typeimage
Distance0.1692226
Providermetmuseum
Depiction IDmetmuseum:13129:primaryImage
Subject IDmetmuseum:13129
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/46492.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/46492.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1912
subject_titleStairway and balcony, study for "Interior of the Metropolitan Museum of Art when in 14th Street"
subject_urlhttps://www.metmuseum.org/art/collection/search/13129
typeimage
Distance0.17325985
Providercma
Depiction ID1924.395_web
Subject ID1924.395
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.395/1924.395_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.395
subject_titleThe Queen of Diamonds - How She Was Won and Lost
subject_urlhttps://clevelandart.org/art/1924.395
typeimage
Distance0.17865747
Providermetmuseum
Depiction IDmetmuseum:12063:primaryImage
Subject IDmetmuseum:12063
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ad/original/ap50.130.120.jpg
previewhttps://images.metmuseum.org/CRDImages/ad/web-large/ap50.130.120.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Francis Ormond, 1950
subject_titleConversation Piece
subject_urlhttps://www.metmuseum.org/art/collection/search/12063
typeimage
Distance0.17891335
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Distance0.17969185
Providercma
Depiction ID1966.409_web
Subject ID1966.409
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.409/1966.409_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Exhibition of 1859: The Painter Who Had a Painting Refused., 1859. Honoré Daumier (French, 1808–1879), Destouches, Mon. Martinet, r. Rivoli, et 41 r. Vivienne. Lithograph; sheet: 26.3 x 34.3 cm (10 3/8 x 13 1/2 in.); image: 21.8 x 26 cm (8 9/16 x 10 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1966.409
subject_titleThe Painter Who Had a Painting Refused.
subject_urlhttps://clevelandart.org/art/1966.409
typeimage
Distance0.18750447
Providercma
Depiction ID1925.1090_web
Subject ID1925.1090
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1090/1925.1090_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1090
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1925.1090
typeimage
Distance0.18861431
Providercma
Depiction ID1924.410_web
Subject ID1924.410
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.410/1924.410_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTomkin's Degree Supper and How it Ended, 1868. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.410
subject_titleTomkin's Degree Supper and How it Ended
subject_urlhttps://clevelandart.org/art/1924.410
typeimage
Distance0.19057065
Providermetmuseum
Depiction IDmetmuseum:822749:primaryImage
Subject IDmetmuseum:822749
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP888820.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP888820.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Donato Esposito, 2019
subject_titleA Quest for a Cousin, from "Illustrated London News"
subject_urlhttps://www.metmuseum.org/art/collection/search/822749
typeimage
Distance0.19073677
Providercma
Depiction ID1947.458_alt0_web
Subject ID1947.458
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1947.458/1947.458_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Best Days in Life: When One's Portrait is Exhibited at the Salon, 1845. Honoré Daumier (French, 1808–1879). Lithograph; sheet: 34.7 x 26.4 cm (13 11/16 x 10 3/8 in.); image: 26.5 x 23.3 cm (10 7/16 x 9 3/16 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1947.458
subject_titleWhen One's Portrait is Exhibited at the Salon
subject_urlhttps://clevelandart.org/art/1947.458
typeimage
Distance0.19238722
Providermetmuseum
Depiction IDmetmuseum:333878:primaryImage
Subject IDmetmuseum:333878
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/MM9863.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/MM9863.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleProofs
subject_urlhttps://www.metmuseum.org/art/collection/search/333878
typeimage
Distance0.19325066
Providercma
Depiction ID1924.366_web
Subject ID1924.366
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.366/1924.366_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Kettledrum in Mayfair, 1862. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.366
subject_titleA Kettledrum in Mayfair
subject_urlhttps://clevelandart.org/art/1924.366
typeimage
Distance0.19588321
Providercma
Depiction ID1936.608_web
Subject ID1936.608
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1936.608/1936.608_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEmma, Elsie and Gene, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.608
subject_titleEmma, Elsie and Gene
subject_urlhttps://clevelandart.org/art/1936.608
typeimage
Distance0.19614667
Providercma
Depiction ID1980.154_web
Subject ID1980.154
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1980.154/1980.154_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIllustration for "Beneath the Wrinkle", 1903. Clarence H. White (American, 1871–1925). Gelatin silver print; image: 20.5 x 15.6 cm (8 1/16 x 6 1/8 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory, 1980.154
subject_titleIllustration for "Beneath the Wrinkle"
subject_urlhttps://clevelandart.org/art/1980.154
typeimage