The Drowning of Britomartis from Scenes from the Story of Diana
Providermetmuseum
Depiction IDmetmuseum:199069:primaryImage
Subject IDmetmuseum:199069
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:199069:primaryImage
Subject IDmetmuseum:199069
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of the children of Mrs. Harry Payne Whitney, 1942
subject_titleThe Drowning of Britomartis from Scenes from the Story of Diana
subject_urlhttps://www.metmuseum.org/art/collection/search/199069
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provider_nameCleveland Museum of Art
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subject_creditlineDido shows Aeneas the plans for the fortifications of Carthage, 1679. Giovanni Francesco Romanelli (Italian, 1610–1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 416.4 x 563.6 cm (163 15/16 x 221 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. Francis F. Prentiss, in memory of Dr. Dudley P. Allen, 1915.79.4
subject_titleDido shows Aeneas the plans for the fortifications of Carthage
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:199070:primaryImage
Subject IDmetmuseum:199070
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of the children of Mrs. Harry Payne Whitney, 1942
subject_titleThe Blasphemy of Niobe from Scenes from the Story of Diana
subject_urlhttps://www.metmuseum.org/art/collection/search/199070
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Lillian Stokes Gillespie Collection, Bequest of Lillian Stokes Gillespie, 1915
subject_titleThe Moon and Her Children from a Set of the Planets
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Providercma
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provider_urlhttps://clevelandart.org/
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subject_titleSpring: Fishing Scene
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of The Hearst Foundation, in memory of William Randolph Hearst, 1953
subject_titleThe Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:227931:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Frederic R. Coudert Jr., in memory of Mr. and Mrs. Hugh A. Murray, 1957
subject_titleGluttony from a set of The Seven Deadly Sins
subject_urlhttps://www.metmuseum.org/art/collection/search/227931
typeimage
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Providercma
Depiction ID1915.79.4_web
Subject ID1915.79.4
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineDido shows Aeneas the plans for the fortifications of Carthage, 1679. Giovanni Francesco Romanelli (Italian, 1610–1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 416.4 x 563.6 cm (163 15/16 x 221 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. Francis F. Prentiss, in memory of Dr. Dudley P. Allen, 1915.79.4
subject_titleDido shows Aeneas the plans for the fortifications of Carthage
subject_urlhttps://clevelandart.org/art/1915.79.4
typeimage
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Providercma
Depiction ID1915.79.1_alt0_web
Subject ID1915.79.1
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVenus tells Aeneas and his friend Achates to go to Carthage, 1679. Giovanni Francesco Romanelli (Italian, 1610–1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 411.3 x 294.5 cm (161 15/16 x 115 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. Francis F. Prentiss, in memory of Dr. Dudley P. Allen, 1915.79.1
subject_titleVenus tells Aeneas and his friend Achates to go to Carthage
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Providercma
Depiction ID1952.544.4_web
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provider_nameCleveland Museum of Art
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subject_creditlineFour Seasons: Winter: Skating Scene, designed c. 1535, woven mid- to late 1600s. Possibly by Gobelins Manufactory (France, Paris, est. 1662). Wool, silk, and gold filé: tapestry weave; overall: 244 x 388 cm (96 1/16 x 152 3/4 in.). The Cleveland Museum of Art, Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn, 1952.544.4
subject_titleWinter: Skating Scene
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineRomans Admiring the Sabine Women, 1570–90. Belgium, Brussels. Silk and wool: tapestry weave; overall: 205 x 485 cm (80 11/16 x 190 15/16 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.820
subject_titleRomans Admiring the Sabine Women
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provider_nameCleveland Museum of Art
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subject_creditlineRomans Admiring the Sabine Women, 1570–90. Belgium, Brussels. Silk and wool: tapestry weave; overall: 205 x 485 cm (80 11/16 x 190 15/16 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.820
subject_titleRomans Admiring the Sabine Women
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Amy Warren Patterson, 1981
subject_titleEsau Selling His Birthright to Jacob from The Story of Jacob series
subject_urlhttps://www.metmuseum.org/art/collection/search/229761
typeimage
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Providermetmuseum
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provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Constance McCann Betts, Mrs. Winston F.C. Guest, and Frasier W. McCann, 1942
subject_titleAgamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineFour Seasons: Spring: Fishing Scene, designed c. 1535, woven mid- to late 1600s. Possibly by Gobelins Manufactory (France, Paris, est. 1662). Wool, silk, and gold filé: tapestry weave; overall: 255 x 266 cm (100 3/8 x 104 3/4 in.). The Cleveland Museum of Art, Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn, 1952.544.1
subject_titleSpring: Fishing Scene
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Providercma
Depiction ID1952.544_alt0_web
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provider_nameCleveland Museum of Art
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subject_creditlineFour Seasons, designed c. 1535, woven mid- to late 1600s. Possibly by Gobelins Manufactory (France, Paris, est. 1662). Wool, silk, and gold filé; tapestry weave; average: 256.5 x 264.2 cm (101 x 104 in.). The Cleveland Museum of Art, Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn, 1952.544
subject_titleFour Seasons
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Providermetmuseum
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subject_creditlinePurchase, The Isak and Rose Weinman Foundation Inc. Gift and Rogers Fund, 2004
subject_titleThe Gathering of Manna
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Daniel Guggenheim, in memory of her husband, 1935
subject_titleFour Episodes in the Story of Hercules
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Providercma
Depiction ID1915.79.1_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVenus tells Aeneas and his friend Achates to go to Carthage, 1679. Giovanni Francesco Romanelli (Italian, 1610–1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 411.3 x 294.5 cm (161 15/16 x 115 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. Francis F. Prentiss, in memory of Dr. Dudley P. Allen, 1915.79.1
subject_titleVenus tells Aeneas and his friend Achates to go to Carthage
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFour Seasons, designed c. 1535, woven mid- to late 1600s. Possibly by Gobelins Manufactory (France, Paris, est. 1662). Wool, silk, and gold filé; tapestry weave; average: 256.5 x 264.2 cm (101 x 104 in.). The Cleveland Museum of Art, Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn, 1952.544
subject_titleFour Seasons
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subject_creditlineGift of Mrs. George S. Amory, in memory of her father and mother, Mr. and Mrs. Amory Sibley Carhart, 1964
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