A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
Providermetmuseum
Depiction IDmetmuseum:333782:primaryImage
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Providermetmuseum
Depiction IDmetmuseum:333782:primaryImage
Subject IDmetmuseum:333782
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
subject_urlhttps://www.metmuseum.org/art/collection/search/333782
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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Providermetmuseum
Depiction IDmetmuseum:397900:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
subject_urlhttps://www.metmuseum.org/art/collection/search/397900
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Providermetmuseum
Depiction IDmetmuseum:360410:primaryImage
Subject IDmetmuseum:360410
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/360410
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Providermetmuseum
Depiction IDmetmuseum:397862:primaryImage
Subject IDmetmuseum:397862
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 4 from "La Tauromaquia": They play another with the cape in an enclosure
subject_urlhttps://www.metmuseum.org/art/collection/search/397862
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleThe agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
subject_urlhttps://www.metmuseum.org/art/collection/search/333781
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Providermetmuseum
Depiction IDmetmuseum:397873:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
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Providermetmuseum
Depiction IDmetmuseum:397901:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
subject_urlhttps://www.metmuseum.org/art/collection/search/397901
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Providermetmuseum
Depiction IDmetmuseum:365889:primaryImage
Subject IDmetmuseum:365889
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
subject_urlhttps://www.metmuseum.org/art/collection/search/365889
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
subject_titleBullfights: Origin of the Harpoons or Banderillas
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
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Providermetmuseum
Depiction IDmetmuseum:397902:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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Providermetmuseum
Depiction IDmetmuseum:365884:primaryImage
Subject IDmetmuseum:365884
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
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Providermetmuseum
Depiction IDmetmuseum:397898:primaryImage
Subject IDmetmuseum:397898
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Picador is Unhorsed and Falls Under the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.565
subject_titleBullfights: A Picador is Unhorsed and Falls Under the Bull
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.553
subject_titleBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body
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Providermetmuseum
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Subject IDmetmuseum:365886
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
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Providermetmuseum
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subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
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