He Looks and Doesn't Recognize Himself (Se mira y no se ve)
Providermetmuseum
Depiction IDmetmuseum:335171:primaryImage
Subject IDmetmuseum:335171
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Providermetmuseum
Depiction IDmetmuseum:335171:primaryImage
Subject IDmetmuseum:335171
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineDodge Fund, 1939
subject_titleHe Looks and Doesn't Recognize Himself (Se mira y no se ve)
subject_urlhttps://www.metmuseum.org/art/collection/search/335171
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titleIllustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
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Providermetmuseum
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subject_titleRitratti di alcuni Ostrogotti
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAn Exhibition
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:369308:primaryImage
Subject IDmetmuseum:369308
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966
subject_titleThe Last Supper
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Providermetmuseum
Depiction IDmetmuseum:789514:primaryImage
Subject IDmetmuseum:789514
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAmputation
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:335152:primaryImage
Subject IDmetmuseum:335152
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineDodge Fund, 1939
subject_titleAt Last She Sees Clearly (Ya ve claro)
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Providermetmuseum
Depiction IDmetmuseum:334954:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineDodge Fund, 1939
subject_titleShe Doesn't Recognize Herself (No se conoce)
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:433574:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleMonsieur Daumier, your Robert-Macaire series is delightful (...), from "Caricaturana"
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:334952:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineDodge Fund, 1929
subject_titleDust to Dust (Et in pulverem reverteris)
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Providermetmuseum
Depiction IDmetmuseum:363711:primaryImage
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Providermetmuseum
Depiction IDmetmuseum:459370:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRobert Lehman Collection, 1975
subject_titleThe Dreamer
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1939
subject_titleThe Newsmongers
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAn Irish Howl
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Providercma
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subject_creditlineArt Lovers, c. 1863. Honoré Daumier (French, 1808–1879). Gray and black wash, charcoal, and graphite, with watercolor, on cream laid paper; sheet: 26.2 x 19.4 cm (10 5/16 x 7 5/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1927.208
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
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Providermetmuseum
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Providermetmuseum
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Providermetmuseum
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineDodge Fund, 1939
subject_titleHis Excellency is Not at Home (No recibe in Excel)
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Providermetmuseum
Depiction IDmetmuseum:380711:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 80 from "Los Caprichos": It is time (Ya es hora)
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typeimage