Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
Providermetmuseum
Depiction IDmetmuseum:340851:primaryImage
Subject IDmetmuseum:340851
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Providermetmuseum
Depiction IDmetmuseum:340851:primaryImage
Subject IDmetmuseum:340851
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1906
subject_titleAngel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
subject_urlhttps://www.metmuseum.org/art/collection/search/340851
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.14942741
Providermetmuseum
Depiction IDmetmuseum:340852:primaryImage
Subject IDmetmuseum:340852
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1914
subject_titleAngel of the Revelation (Book of Revelation, chapter 10)
subject_urlhttps://www.metmuseum.org/art/collection/search/340852
typeimage
Distance0.161874
Providermetmuseum
Depiction IDmetmuseum:338528:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Harry G. Friedman, 1961
subject_titleThe Creation of Eve
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typeimage
Distance0.17376089
Providermetmuseum
Depiction IDmetmuseum:340850:primaryImage
Subject IDmetmuseum:340850
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1906
subject_titleThe Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt)
subject_urlhttps://www.metmuseum.org/art/collection/search/340850
typeimage
Distance0.17596704
Providermetmuseum
Depiction IDmetmuseum:347414:primaryImage
Subject IDmetmuseum:347414
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1916
subject_titleGod Judging Adam
subject_urlhttps://www.metmuseum.org/art/collection/search/347414
typeimage
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Providermetmuseum
Depiction IDmetmuseum:363811:primaryImage
Subject IDmetmuseum:363811
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967
subject_titleLight and the Shades
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typeimage
Distance0.18197441
Providermetmuseum
Depiction IDmetmuseum:340853:primaryImage
Subject IDmetmuseum:340853
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1914
subject_titleThe Parable of the Wise and Foolish Virgins
subject_urlhttps://www.metmuseum.org/art/collection/search/340853
typeimage
Distance0.18348956
Providermetmuseum
Depiction IDmetmuseum:426771:primaryImage
Subject IDmetmuseum:426771
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Joseph Pulitzer and Brooke Russell Astor Bequests and 2005 Benefit Fund, 2013
subject_titleEnoch
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Providercma
Depiction ID1954.365_alt0_web
Subject ID1954.365
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSatan Starts from the Touch of Ithuriel's Spear, 1776. Henry Fuseli (Swiss, 1741–1825). Pen and brown ink and brush and gray wash; sheet: 30.9 x 42.5 cm (12 3/16 x 16 3/4 in.); secondary support: 31 x 42.7 cm (12 3/16 x 16 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1954.365
subject_titleSatan Starts from the Touch of Ithuriel's Spear
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:412290:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Guy Wildenstein Gift, 2012
subject_titleDaphnis Running toward Chloe
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Providermetmuseum
Depiction IDmetmuseum:357222:primaryImage
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Providercma
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subject_creditlineThe Holy Family (Christ in the Lap of Truth), c. 1805. William Blake (British, 1757–1827). Black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash; sheet: 37.9 x 32.5 cm (14 15/16 x 12 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.239
subject_titleThe Holy Family (Christ in the Lap of Truth)
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Providermetmuseum
Depiction IDmetmuseum:383531:primaryImage
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subject_creditlineRogers Fund, 1917
subject_titleCircle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleAn Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:385143:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titleThe creation of Eve who emerges from behind Adam
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typeimage
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Providermetmuseum
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provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Walter Carlebach, 1969
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Providermetmuseum
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subject_titleThe Agony in the Garden
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Providercma
Depiction ID1954.365_web
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subject_creditlineSatan Starts from the Touch of Ithuriel's Spear, 1776. Henry Fuseli (Swiss, 1741–1825). Pen and brown ink and brush and gray wash; sheet: 30.9 x 42.5 cm (12 3/16 x 16 3/4 in.); secondary support: 31 x 42.7 cm (12 3/16 x 16 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1954.365
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typeimage
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Providermetmuseum
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Providermetmuseum
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typeimage