Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola
Providermetmuseum
Depiction IDmetmuseum:341779:primaryImage
Subject IDmetmuseum:341779
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:341779:primaryImage
Subject IDmetmuseum:341779
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Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleStudy for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola
subject_urlhttps://www.metmuseum.org/art/collection/search/341779
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleEmperor greeted by a warrior
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Cephas G. Thompson, 1887
subject_titleSaint Martin and the Beggar
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Harry S. Friedman, 1953
subject_titleTriumph of Mordecai
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Charles and Jessie Price Gift, 2005
subject_titleEquestrian Group
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleRoman Triumph
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:339328:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleIllustration for a Book: Cardinal Receiving a General at a City Gate
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1947
subject_titleKnight on Horseback and Landsknecht
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Providermetmuseum
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subject_creditlineGift of Cornelius Vanderbilt, 1880
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter Lowry, 1957
subject_titleHorsemen and Soldiers
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Providermetmuseum
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Harry G. Friedman, 1960
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Providermetmuseum
Depiction IDmetmuseum:427592:primaryImage
Subject IDmetmuseum:427592
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Brooke Russell Astor Bequest, 2013
subject_titleA Hunting Party
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Felix M. Warburg and his family, 1941
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:459741:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRobert Lehman Collection, 1975
subject_titleRinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:338173:primaryImage
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subject_creditlineGift of Walter Lowry, 1957
subject_titleA Procession
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleYouth, from "The Course of Human Life"
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:335425:primaryImage
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subject_creditlineGift of Harold K. Hochschild, 1940
subject_titleStudy for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor
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typeimage
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Providercma
Depiction ID1923.249_web
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provider_urlhttps://clevelandart.org/
subject_creditlineLe pere mort et ses trois fils, 1551. Melchior Lorck (Danish, 1526/27–after 1588). Woodcut. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.249
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typeimage
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Providermetmuseum
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Providercma
Depiction ID1954.698_alt1_web
Subject ID1954.698
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provider_nameCleveland Museum of Art
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subject_creditlineThree Scenes from the Passion of Christ (recto); Architectural Sketch (verso), 1500s. Northern Italy, 16th century. Pen and brown ink and brush and brown wash over traces of black chalk; framing line (left edge) in brown ink; sheet: 26.9 x 14.4 cm (10 9/16 x 5 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.698
subject_titleThree Scenes from the Passion of Christ (recto); Architectural Sketch (verso)
subject_urlhttps://clevelandart.org/art/1954.698
typeimage