Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Providermetmuseum
Depiction IDmetmuseum:359939:primaryImage
Subject IDmetmuseum:359939
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Providermetmuseum
Depiction IDmetmuseum:359939:primaryImage
Subject IDmetmuseum:359939
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 11 from "La Tauromaquia": The Cid campeador spearing another bull
subject_urlhttps://www.metmuseum.org/art/collection/search/359939
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subject_creditlineThe Cid Campeador Spearing Another Bull, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint and engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1984.95
subject_titleThe Cid Campeador Spearing Another Bull
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: El Cid Campeador Spearing Another Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.550
subject_titleBullfights: El Cid Campeador Spearing Another Bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
subject_urlhttps://clevelandart.org/art/1923.544
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Providermetmuseum
Depiction IDmetmuseum:397869:primaryImage
Subject IDmetmuseum:397869
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/397869
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Providermetmuseum
Depiction IDmetmuseum:397871:primaryImage
Subject IDmetmuseum:397871
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
subject_urlhttps://www.metmuseum.org/art/collection/search/397871
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Providermetmuseum
Depiction IDmetmuseum:397893:primaryImage
Subject IDmetmuseum:397893
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.563
subject_titleBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid
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Providermetmuseum
Depiction IDmetmuseum:397898:primaryImage
Subject IDmetmuseum:397898
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
subject_urlhttps://www.metmuseum.org/art/collection/search/333780
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Providermetmuseum
Depiction IDmetmuseum:397901:primaryImage
Subject IDmetmuseum:397901
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
subject_urlhttps://www.metmuseum.org/art/collection/search/397901
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Providermetmuseum
Depiction IDmetmuseum:397858:primaryImage
Subject IDmetmuseum:397858
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
subject_urlhttps://www.metmuseum.org/art/collection/search/397858
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Providermetmuseum
Depiction IDmetmuseum:365886:primaryImage
Subject IDmetmuseum:365886
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
subject_urlhttps://www.metmuseum.org/art/collection/search/365886
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subject_creditlineFlickr member "Boston Public Library Digital"
subject_titleEl Zid campeador
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleThe agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
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Providermetmuseum
Depiction IDmetmuseum:365884:primaryImage
Subject IDmetmuseum:365884
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
subject_urlhttps://www.metmuseum.org/art/collection/search/365889
typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
subject_urlhttps://www.metmuseum.org/art/collection/search/397900
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLa Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint and engraving. The Cleveland Museum of Art, Gift of Barbara and Joe Meals in memory of Moselle Taylor Meals, 1984.74
subject_titleLa Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse
subject_urlhttps://clevelandart.org/art/1984.74
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