Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
Providermetmuseum
Depiction IDmetmuseum:360409:primaryImage
Subject IDmetmuseum:360409
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Providermetmuseum
Depiction IDmetmuseum:360409:primaryImage
Subject IDmetmuseum:360409
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 11 from "La Tauromaquia": The Cid campeador spearing another bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
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Providermetmuseum
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Subject IDmetmuseum:397898
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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Providermetmuseum
Depiction IDmetmuseum:397893:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleThe agility and audacity of Juanito ApiƱani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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Providermetmuseum
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Subject IDmetmuseum:365886
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 25 from "La Tauromaquia": They loose dogs on the bull
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Providermetmuseum
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subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
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