Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Providermetmuseum
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
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subject_creditlineLos Caprichos: Because She Was Susceptible, Plate 32, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.627
subject_titleBecause She Was Susceptible, Plate 32
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subject_creditlineLos Caprichos: Because She Was Susceptible, Plate 32, 1799. Francisco de Goya (Spanish, 1746–1828). Aquatint; platemark: 21.5 x 15 cm (8 7/16 x 5 7/8 in.); sheet: 22.5 x 15.7 cm (8 7/8 x 6 3/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1989.111
subject_titleBecause She Was Susceptible, Plate 32
subject_urlhttps://clevelandart.org/art/1989.111
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 5 from "Los Caprichos": Two of a kind (Tal para qual)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 31 from "Los Caprichos": She prays for her (Ruega por ella)
subject_urlhttps://www.metmuseum.org/art/collection/search/360416
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
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subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleA Femme avare galant Escroc, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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subject_creditlineLos Caprichos: She Prays for Her, Plate 31, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.626
subject_titleShe Prays for Her, Plate 31
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
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subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_creditlineBequest of Mrs. Charles Wrightsman, 2019
subject_titleFemme Turque, qui repose sur le Sopha sortant du bain, plate 46 from "Recueil de cent estampes représentent differentes nations du Levant"
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subject_titleTantalus (Tantalo), plate 9 from "Los Caprichos"
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)
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