Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot
Providermetmuseum
Depiction IDmetmuseum:362151:primaryImage
Subject IDmetmuseum:362151
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Providermetmuseum
Depiction IDmetmuseum:362151:primaryImage
Subject IDmetmuseum:362151
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleScene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot
subject_urlhttps://www.metmuseum.org/art/collection/search/362151
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Providermetmuseum
Depiction IDmetmuseum:362284:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleScene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed
subject_urlhttps://www.metmuseum.org/art/collection/search/362284
typeimage
Distance0.08900821
Providermetmuseum
Depiction IDmetmuseum:362238:primaryImage
Subject IDmetmuseum:362238
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleScene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
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Providermetmuseum
Depiction IDmetmuseum:387361:primaryImage
Subject IDmetmuseum:387361
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleJean de La Barrière blessing a cardinal
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typeimage
Distance0.107726514
Providermetmuseum
Depiction IDmetmuseum:362277:primaryImage
Subject IDmetmuseum:362277
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleFeuillant monks carry the bier with the body of Jean de la Barrière
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1993
subject_titleFuneral of François Duplessis de Mornay
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Distance0.115829885
Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineAnonymous Gift, 2006
subject_titleState Baptism of a Child of Noble Blood
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typeimage
Distance0.11756945
Providermetmuseum
Depiction IDmetmuseum:339316:primaryImage
Subject IDmetmuseum:339316
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleIllustration for a Book: Meeting Between a Pope and Doge
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typeimage
Distance0.12209463
Providermetmuseum
Depiction IDmetmuseum:338729:primaryImage
Subject IDmetmuseum:338729
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1964
subject_titleThe Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta)
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typeimage
Distance0.12404972
Providermetmuseum
Depiction IDmetmuseum:648559:primaryImage
Subject IDmetmuseum:648559
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 2014
subject_titleA Priest Celebrating Mass
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typeimage
Distance0.12454271
Providermetmuseum
Depiction IDmetmuseum:387360:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1992
subject_titleScene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:340714:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1969
subject_titlePius V and the Ambassador of the King of Poland
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typeimage
Distance0.13353008
Providercma
Depiction ID1947.70_alt1_web
Subject ID1947.70
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provider_nameCleveland Museum of Art
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subject_creditlineThe Funeral of Saint Stephen, c. 1460. Fra Filippo Lippi (Italian, c. 1406–1469). Pen and brown ink with brush and brown wash with traces of stylus over traces of black chalk; sheet: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.); secondary support: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1947.70
subject_titleThe Funeral of Saint Stephen
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Providermetmuseum
Depiction IDmetmuseum:372537:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineAnonymous Gift, 2006
subject_titleAn Ecclesiastic (Pope?) Blessing a Book before the Sacred College
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Providermetmuseum
Depiction IDmetmuseum:338315:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 1988
subject_titleBlessed Francis Venimbeni Celebrating Mass for souls in Purgatory
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typeimage
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Providermetmuseum
Depiction IDmetmuseum:399987:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1922
subject_titleThe death of Ananias, surrounded by Apostles
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typeimage
Distance0.1385054
Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Parable of the Tribute Money, c. 1580–1600. Master of the Egmont Albums (Netherlandish, 1480-1620). Pen and brown ink, traces of pen and black ink and black chalk, on paper; framing lines in brown ink; sheet: 27.2 x 35.4 cm (10 11/16 x 13 15/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1992.115
subject_titleThe Parable of the Tribute Money
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Providermetmuseum
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePriest Holding a Service Before an Altar
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Providermetmuseum
Depiction IDmetmuseum:340475:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleThe Sword of Damocles
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Distance0.14223516
Providermetmuseum
Depiction IDmetmuseum:356923:primaryImage
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