Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
Providermetmuseum
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Subject IDmetmuseum:365884
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Providermetmuseum
Depiction IDmetmuseum:365884:primaryImage
Subject IDmetmuseum:365884
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
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Providermetmuseum
Depiction IDmetmuseum:397862:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 4 from "La Tauromaquia": They play another with the cape in an enclosure
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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Providermetmuseum
Depiction IDmetmuseum:397864:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.545
subject_titleBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
subject_titleBullfights: Origin of the Harpoons or Banderillas
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Providermetmuseum
Depiction IDmetmuseum:360410:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/360410
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Providermetmuseum
Depiction IDmetmuseum:397873:primaryImage
Subject IDmetmuseum:397873
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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Providermetmuseum
Depiction IDmetmuseum:365886:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
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Providermetmuseum
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
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Providermetmuseum
Depiction IDmetmuseum:365889:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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Providermetmuseum
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Subject IDmetmuseum:397898
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
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Providermetmuseum
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Subject IDmetmuseum:397902
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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Providermetmuseum
Depiction IDmetmuseum:397891:primaryImage
Subject IDmetmuseum:397891
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
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Providermetmuseum
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subject_creditlineRogers Fund, 1921
subject_titlePlate 11 from "La Tauromaquia": The Cid campeador spearing another bull
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