Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid
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subject_creditlineRogers Fund, 1921
subject_titlePlate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid
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subject_titleThe agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
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subject_creditlineBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.559
subject_titleBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid
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subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
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subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
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subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
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subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
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subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
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subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
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subject_titlePlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
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subject_titlePlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
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