Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Providermetmuseum
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Providermetmuseum
Depiction IDmetmuseum:377822:primaryImage
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titlePlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
subject_urlhttps://www.metmuseum.org/art/collection/search/360413
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 5 from "Los Caprichos": Two of a kind (Tal para qual)
subject_urlhttps://www.metmuseum.org/art/collection/search/370580
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
subject_urlhttps://www.metmuseum.org/art/collection/search/378027
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
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subject_creditlineGift of Harry G. Friedman, 1962
subject_titlePlate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
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subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
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Providermetmuseum
Depiction IDmetmuseum:377827:primaryImage
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
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subject_titlePlate 28 from "Los Caprichos": Hush (Chiton)
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subject_titlePlate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleWoman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes)
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Providermetmuseum
Depiction IDmetmuseum:378019:primaryImage
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)
subject_urlhttps://www.metmuseum.org/art/collection/search/378019
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